Committed On meaning and madwomen

Suzanne Scanlon

Book - 2024

"When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother-feeling untethered and swimming through inarticulable pain-she made a suicide attempt at twenty years old that landed her in the New York State Psychiatric Institute. After nearly four years and countless experimental treatments, Suzanne left the ward on shaky legs. In the decades it took her to recover from the experience, Suzanne came to understand her suffering as part of something larger. She began to see herself as part of a long tradition of women whose stories are reduced to "crazy chick" narratives, rather than stories of women who forged complicated and compromised stories of self-actualization: Virginia Woolf, Charlotte Perkin...s Gilman, Frances Farmer, Jean Seberg, Sylvia Plath, Shulamith Firestone. It was a thrilling discovery, and she searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shapes and ultimately saves her. Committed is Suzanne's story about discovery and recovery, reclaiming the idea of the "madwoman" as one template for insight and transcendence. Committed ducks and weaves through the works of these seminal madwomen via Suzanne's own story of resilience and being. She paints vivid portraits of friends and lovers, life on the ward and after, and the women who saved her life by encouraging her to live it"--

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  • One. The moving target of being. Return
  • My insanities and all the rest
  • The vortex effect
  • A way of becoming
  • With bags
  • Duraspace, or the book as a room (I)
  • At point zero
  • Working the trap
  • The psychoanalyst
  • Women's studies
  • Sitting Still
  • The book as a room (II)
  • Toward a theory of my illness (I)
  • Without cure
  • Stuck in the story
  • Two. I saw the figure 5 in gold. Asylum Architecture (I)
  • The fifth floor
  • Too much
  • Time passes
  • A nervous condition, or what can one do?
  • Asylum architecture (II)
  • Tell me who I am
  • Septimus
  • Hank, a memoir (I)
  • melting
  • Interlude, 2022
  • Elena
  • Hank, a memoir (II)
  • Family therapy
  • Blossom
  • The spider's web
  • Grace
  • Duras Now
  • Then you will never be happy
  • Off the couch
  • Three. Mirror city. Toward a theory of my illness (II)
  • The notebooks
  • Last Days of the Long-term ward
  • All of us vanishing
  • Toward a theory of my illness (III)
  • Good old Nardil
  • The shadow story
  • Angry women
  • On recovery (I)
  • The homelessness of self
  • The carceral
  • Q&A
  • Skepticism and affirmation
  • On recovery (II)
  • You seem so normal.
Review by Kirkus Book Review

A chronicle of survival amid mental and familial turmoil. From March 1992, when she was 20, to August 1994, Scanlon was a patient at the New York State Psychiatric Institute, sent there after she attempted suicide. In an intimate, unsparing memoir, she recounts her stay in the hospital, the despair that led her there, and her tenuous road to stability. The author's depression was borne of grief: When she was a child, her mother died of cancer, a loss that her father and siblings never mentioned. Within a year, her father remarried, and his new wife had no sympathy for her stepdaughter's anguish. "I was on my own with my broken self," Scanlon writes, terrified "that my life was broken with my mom gone, that no one would ever truly see me or know me again." She developed an eating disorder that "offered some fleeting sense of control, and it would consume me for many years." Hating her mother for abandoning her, she "turned that rage back onto myself: I should be dead." In the "foreign country" that was the hospital, Scanlon was treated by a rolling roster of psychiatrists and was prescribed a cornucopia of medications; in time, she "got better at being a mental patient." With "complete and naive trust in the authority of the medical establishment," she wanted "to give them what they wanted"--a sick woman. Although she gained insights into the cause of her problems, she admits, "there is a great gulf between an awareness of a problem and an ability to change." She found greater insights from narratives by women who themselves confronted madness: Virginia Woolf, Charlotte Perkins Gilman, Ntozake Shange, Audre Lorde, among many others. Literature taught her, finally, "to find comfort in the pre-existing condition of being human." Astute reflections on fragility, healing, and wholeness. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.