Processing

Tara Booth

Book - 2024

"Known for her buzzing colors, delightful patterns, sharp humor, and unflinching vulnerability, Tara Booth does not miss any mark in this exquisitely woven collection of pure and nasty magic. Part advice column and exhibit, exploration of psychic pollution and tranquility, processing is-quite simply-intrepid: in its honesty; its unapologetic grossness; its unrivaled and frank portrayal of life with a body that bleeds. In the grand tradition of underground women cartoonists like Julie Doucet and Aline Kominsky-Crumb, Booth draws a horned up woman laying rose petals on the bed, to distract from the bedbugs before her hookup arrives. She bears witness to the reality of wearing a t-shirt with no bra-when you stretch, your boobs, sometimes,...pop right out. This is all just life but we don't often see it on the page. Undaunted, Booth draws it. When advice from spiritual guruslike Tara Brach and Ram Dass just aren't cutting it, take solace inthe genuine arms of Tara Booth: a fearless cartoonist who is unafraid to put her existential angst, blemishes, and stains right on the page, and who-with relentless relatability-makes us all feel a bit more at home in our too-human vessels. With color that vibrates and fluids that impose, Processing lays Booth bare-literally and figuratively"--

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BIOGRAPHY/Booth, Tara
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Location Call Number   Status
2nd Floor New Shelf BIOGRAPHY/Booth, Tara (NEW SHELF) Checked In
Subjects
Genres
Humorous comics
Nonfiction comics
Autobiographical comics
Graphic novels
Comics (Graphic works)
Published
[Montreal] : Drawn & Quarterly [2024]
Language
English
Main Author
Tara Booth (author)
Edition
First Edition
Physical Description
1 volume (unpaged) : chiefly color illustrations ; 23 cm
Awards
Ignatz award winner.
ISBN
9781770467323
Contents unavailable.
Review by Publisher's Weekly Review

With sparse text and an abundance of color, Booth (Things to Do Instead of Killing Yourself) paints her psychological landscape in an idiosyncratic collection full of humor and catharsis. A self-proclaimed loner who doesn't like to feel "trapped," Booth struggles in relationships, weighing the "burdens of solitude" against the "burdens of codependence." "I think my sexual preference is 'attracted to anything capable of giving me attention,' " she declares, depicting herself swooning before not just humans of varying genders, but also an alien, a cat, and a plastic bag blown by the wind into her face. She grapples with depression, anxiety, and anger, and copes by drinking and binge-eating. Five years after getting sober, she laments, "Healing is a slow thing and I feel impatient," over images of her collecting trash from her yard. The vignettes depict the process of self-discovery as painstaking, nonlinear, and open-ended--but also funny and oddly beautiful. Those qualities are keenly evident in Booth's depictions of herself--wide-bodied, messy-haired, and clothed in whimsical prints--in a series of fantastical naturescapes. Brisk and satisfying, this marks Booth as an ideal tour guide through rough times. (Sept.)

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