Tchaikovsky's empire A new life of Russia's greatest composer

Simon Alexander Morrison, 1964-

Book - 2024

Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire's worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky's complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky's music, personal life, and politics; his support of Tsars Alexander ...II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky's Empire unsettles everything we thought we knew--and gives us a vivid new appreciation of Russia's most popular composer"--

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Subjects
Genres
Biography
Biographies
Published
New Haven ; London : Yale University Press [2024]
Language
English
Main Author
Simon Alexander Morrison, 1964- (author)
Physical Description
xii, 359 pages, 8 unnumbered pages of plates : illustrations (some color), maps ; 24 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780300192100
  • Introduction
  • Local and regional matters
  • Nationalism
  • Imperialism
  • Matters of life and death.
Review by Choice Review

Because Pyotr Ilyich Tchaikovsky (1840--93) is a greatly loved composer of classical music, and much has been written about him. However, he often comes across unrealistically as a melancholy and even tragic figure. Researching him in depth, Morrison (Princeton Univ.), a Russian-music specialist, found that the reality was quite different. Covering his whole life, the author shows us a hard-working, happy, and down-to-earth man, who effectively navigated the imperial system under which his artistry developed. His successful creation of works such as his operas, ballet music, the 1812 Overture (which he wrote for the tsar), and mature symphonies are detailed. Discussions of his relationship with Nadezhda von Meck, who supported him financially for many years, and the many commissions he received cast light on his sound financial situation. Controversies have recently arisen about his death, but Morrison avoids them and cites evidence that he died from cholera. Morrison's writing style is informal, but his careful research is evident, and he provides extensive scholarly endnotes to document it. This book belongs in academic music libraries and public libraries with extensive music collections. Summing Up: Highly recommended. Advanced undergraduates through faculty; professionals. --Donna Arnold, University of North Texas

Copyright American Library Association, used with permission.