The hysterical girls of St. Bernadette's

Hanna Alkaf

Book - 2024

"Two teenagers investigate the strange occurrences of mass hysteria plaguing their all-girls school"--

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Subjects
Genres
Young adult fiction
Thrillers (Fiction)
Detective and mystery fiction
Novels
Published
New York : Salaam Reads [2024]
Language
English
Main Author
Hanna Alkaf (author)
Edition
First edition
Physical Description
342 pages ; 22 cm
Audience
Ages 14 up.
Grades 10-12.
ISBN
9781534494589
9781534494596
Contents unavailable.
Review by Booklist Review

At first, it's just one student at St. Bernadette's, the prestigious all-girls school in Kuala Lumpur, who starts screaming involuntarily. But it spreads, becoming a newsworthy mass-hysteria sensation as more girls become #StBerniesScreamers. Sixteen-year-old Khadijah knows what it's like to feel your body isn't under your control; that's one reason she stopped speaking after a sexual assault. Seventeen-year-old Rachel lacks autonomy: her emotionally abusive mother dictates every aspect of her life and expects success. When Khad's younger sister becomes a screamer, Khad searches for links among the girls affected and discovers this has happened before--and it didn't stop until one of the screamers disappeared. Meanwhile, Rachel's crumbling sense of self opens her to possession by a spirit who orders her to "save us." The dual stories converge as Khad and Rachel investigate their school's hidden past and the dark specter the screamers report seeing. Khad's and Rachel's complex family and peer relationships add authenticity to this deliberately paced supernatural mystery. Alkaf successfully uses the oppressive mood and ominous hauntings to convey real-life terrors, from sexual violence to societal expectations, that keep young women from being heard. A gripping, perceptive read.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The students of St. Bernadette's, a 112-year-old premier all-girls school, inexplicably begin to let out terrified, unrelenting screams in this electrifyingly dark thriller set in Kuala Lumpur. Following an undisclosed incident, 16-year-old Khadijah hasn't spoken in three months and avoids physical touch. Meanwhile, almost-17-year-old Rachel is a top student, but her every move is dictated by her wealthy mother. When teens begin screaming one by one and are unable to stop, officials blame ghosts and mass hysteria. After Khad's younger sister is beget by the scream--and as those affected begin disappearing--Khad and her friends endeavor to solve the mystery. Rachel soon joins in, and together, the girls learn the truth about their beloved school and the real-life monsters that inhabit it. Over the course of the investigation, Alkaf (Night of the Living Head) gradually unveils details surrounding Khad and Rachel's pasts. Piercing observations into the teens' struggles gaining autonomy are explored alongside sensitively wrought instances of trauma and sexual violence via immersive prose peppered with Malay words and phrases. Most characters are Malaysian Muslim. Ages 14--up. Agent: Victoria Marini, Irene Goodman Literary. (Sept.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

An all-girls school in Kuala Lumpur is beset by a mass hysteria of screaming students. The first screamer was the new girl. Soon, more terrified shrieks echo off the old stone walls of prestigious St. Bernadette's, a school with a reputation for grooming Malaysia's brightest young women. Sixteen-year-old Khadijah Rahmat doesn't speak much and is dealing with trauma after a sexual assault. Rachel Lian, an academic super-achiever, is struggling to emerge from the shadow of her overbearing mother. When Khadijah's sister becomes a screamer--and the screamers start disappearing--she feels compelled to act. Rachel, meanwhile, is haunted by the ghost of a screamer who disappeared years ago. Khadijah and Rachel uncover dark secrets the school would rather keep hidden. The atmospheric writing creates a sense of foreboding that effectively portrays the horror of the girls who are pulled into the unknown. The complex mother-daughter relationships show how the teens' lack of agency affects them: From decisions over academics and extracurricular activities to being monitored when they should be supported and finding their concerns brushed off, there's a sense of their being trapped by duty and societal expectations. Unfortunately, the girls' voices feel interchangeable and older than their years, and experienced genre readers may easily anticipate the big reveal. Still, the story admirably takes on themes of trauma and sexual assault and encourages the girls to find their voice. A perceptive examination of trauma and its manifestation on women's bodies, minds, and voices. (content note) (Thriller. 13-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1. The Beginning THURSDAY The Beginning It is 12:32 p.m., a little more than half an hour before the school day ends, and the classroom is swampier than a sinner's armpit in the depths of hell. St. Bernadette's, with its grand arched doorways and windows, its gables, its ornate tiles and stone staircases, stands imposingly on a hilltop in the middle of Kuala Lumpur, as it has done for the past one hundred years--all the better to look down on everyone else, so the haters say, and St. Bernadette's has more than its fair share of those. That's just part of what it means to be the best. But even with the massive wooden double doors of each classroom flung wide open, there is simply no breeze to catch. Overhead, the ceiling fan spins in lazy circles, doing little to provide any kind of relief, and one by one, like the flowers for which each of the school's classes is named, the students of 3 Kenanga begin to wilt in the relentless heat. Heads droop closer and closer to desks, eyes glaze over, and though the teacher does her best, coordinate geometry simply has no power over a room full of post-recess fourteen- and fifteen-year-olds as torpid as cobras after a feeding, and who are unwilling--or unable--to pay attention. It is 12:47 p.m., and Mrs. Lee is trying to explain something about "calculating the perpendicular" when the first scream makes the students all nearly jump out of their sweat-soaked skins. The scream is not a pretty, perfectly pitched horror-movie scream. It is hoarse and low, and it shakes and skips, as if whatever is causing it is forcibly strangling it out of the screamer, shaking it out of them in fits and starts. And the source of it is a girl sitting in the third row, two desks from the left; a thin, pale girl with a mop of unruly hair that she wears hanging over her face as if she's trying to hide from the world; a girl so new and so quiet that the others sometimes have trouble remembering her name, or that she is there at all. They will remember her now, though. "Fatihah!" Mrs. Lee shakes off her surprise and strides over to the girl's desk. This is not a normal Thursday occurrence, but Mrs. Lee has been teaching for more than twelve years now, and the range of "normal" is so wide in a school full of teenage girls that little fazes her at this point. "Fatihah! What is happening? What's wrong? Aiyo, this girl!" She has to shout to make herself heard, because the girl known as Fatihah will not stop screaming. And the other girls, usually so eager for something, anything, to break up the monotony of the school day, begin to grow restless and fearful and uncertain. Because Fatihah's eyes are wide and staring, gazing up toward a specific spot in the corner of the ceiling as if fixed on something only she can see, something she desperately wishes she couldn't. "Mrs. Lee, what do we do?" "Should I call someone?" "Teacher, maybe we can throw some water on her face." "Teacher, please make her stop!" The classroom erupts in confused commotion. Girls are covering their ears, girls are trying to offer solutions, girls are trying their best not to panic, girls are panicking without reservation. Lily, who sits next to Fatihah, grabs Fatihah by the shoulders and shakes her hard so that her head bobs back and forth, back and forth. "Wake up, Fatihah!" she yells. "Stop it!" "Don't do that!" Mrs. Lee snaps, frantic in her own helplessness, hands flapping uselessly in the air. "You might hurt her!" Fatihah's eyes roll back so that only the whites show; her hands clench at the edge of her desk, so tight that the knuckles are white and it seems as if she may crush the wood into splinters; her body shudders, and blue-green veins bulge in her pale temples. And the girls of 3 Kenanga have no idea what to do. Some stare, transfixed, unable to tear their eyes away; some cannot bear to look at all, closing their eyes as if they can will the nightmare away; some cry, and some babble, and many just stand, silent and bewildered and helpless. And then Lavanya, who sits by the wide open doors, pauses, frowns, and yells something over the chaos, something that silences all but Fatihah, who just keeps screaming. "There's more." And as 3 Kenanga listens, they begin to hear it: screams piercing the afternoon heat; screams of every pitch and timbre; screams so raw and so terribly, profoundly afraid that they turn everyone's blood to ice. It is now 1:05 p.m. The bell rings to signal the end of school, and nobody hears it. They hear only the screams. Excerpted from The Hysterical Girls of St. Bernadette's by Hanna Alkaf All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.