On James Baldwin

Colm Tóibín, 1955-

Book - 2024

"Colm Tóibín's personal account of encountering James Baldwin's work, published in Baldwin's centenary year. Acclaimed Irish novelist Colm Tóibín first read James Baldwin just after turning eighteen. He had completed his first year at an Irish university and was struggling to free himself from a religious upbringing. He had even considered entering a seminary and was searching for literature that would offer illumination and insight. Inspired by the novel Go Tell It on the Mountain, Tóibín found a writer who would be a lifelong companion and exemplar. From On James Baldwin, Baldwin was interested in the hidden and dramatic areas in his own being, and was prepared as a writer to explore difficult truths about his ow...n private life. In his fiction, he had to battle for the right of his protagonists to choose or influence their destinies. He knew about guilt and rage and bitter privacies in a way that few of his White novelist contemporaries did. And this was not simply because he was Black and homosexual; the difference arose from the very nature of his talent, from the texture of his sensibility. "All art," he wrote, "is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up."On James Baldwin is a magnificent contemporary author's tribute to one of his most consequential literary progenitors"--

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1 copy ordered
Subjects
Published
Waltham, Massachusetts : Brandeis University Press [2024]
Language
English
Main Author
Colm Tóibín, 1955- (author)
Item Description
"Mandel lectures in the humanities at Brandeis University"--Back cover of dust jacket.
Physical Description
147 pages : 21 cm
Bibliography
Includes bibliographical references.
ISBN
9781684582471
  • The pitch of passion
  • Crying holy
  • Paris, Harlem
  • The private life
  • The terror and the surrender.
Review by Publisher's Weekly Review

Novelist Tóibín (Long Island) serves up a loving tribute to Baldwin in this incisive critical study. Placing Baldwin in conversation with other authors, Tóibín compares Baldwin's and James Joyce's first novels (Go Tell It on the Mountain and A Portrait of the Artist as a Young Man, respectively), arguing that in both the authors present "versions of themselves as young men dealing with family" and their ambivalent relationships with religion. Baldwin "had it in for easy and fixed categories," Tóibín contends, tracing how characters in Another Country chafe against the constraints of racial and masculine norms. Tóibín suggests that the novel's imagining of a hypothetical place "where there were no definitions of any kind, neither of color nor of male or female" constitutes Baldwin's idea of liberation. Elsewhere, Tóibín likens the muted romance between the gay émigré protagonists of Giovanni's Room to his own flings with men while living in Barcelona in the 1970s, suggesting that both attest to how a lack of spaces accepting of gay people can constrain the flourishing of love. These astute essays are doubly rewarding, shedding light on Baldwin's profound visions of freedom while offering insight into how Tóibín reads and thinks about fiction. The result is a testament to the talents of both writers. (Aug.)

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