Finding Otipemisiwak The people who own themselves

Andrea Currie

Book - 2024

"Otipemisiwak is a Plains Cree word describing the Métis, meaning zthe people who own themselves.y Andrea Currie was born into a Métis family with a strong lineage of warriors, land protectors, writers, artists, and musicians—all of which was lost to her when she was adopted as an infant into a white family with no connection to her people. It was 1960, and the Sixties Scoop was in full swing. Together with her younger adopted brother, also Métis, she struggled through her childhood, never feeling like she belonged in that world. When their adoptions fell apart during their teen years, the two siblings found themselves on different paths, yet they stayed connected. Currie takes us through her journey, from the harrowing time of bo...ne-deep disconnection, to the years of searching and self-discovery, into the joys and sorrows of reuniting with her birth family. Finding Otipemisiwak weaves lyrical prose, poetry, and essays into an incisive commentary on the vulnerability of Indigenous children in a white supremacist child welfare system, the devastation of cultural loss, and the rocky road some people must walk to get to the truth of who they are. Her triumph over the state’s attempts to erase her as an Indigenous person is tempered by the often painful complexities of re-entering her cultural community while bearing the mark of the white world in which she was raised. Finding Otipemisiwak is the story of one woman’s fight—first to survive, then to thrive as a fully present member of her Nation and of the human family."--

Saved in:
1 copy ordered
Subjects
Published
Vancouver, British Columbia : Arsenal Pulp Press 2024.
Language
English
Main Author
Andrea Currie (author)
Physical Description
pages cm
Issued also in electronic format
ISBN
9781551529554
  • Introduction
  • Prelude The Land I Belong To
  • Mothered Othered
  • Rob's First Arrival
  • Living the Nightmare I
  • Niizhoziibean-Two Rivers I
  • Unmasked
  • Living the Nightmare II
  • Niizhoziibean-Two Rivers II
  • Leaving My Body
  • Interlude Light Shadow Brother
  • Stripped Down
  • Living the Nightmare III
  • Niizhoziibean-Two Rivers III
  • Losing Rob the First Time
  • Warp and Weft
  • Child Abuse Math
  • Niizhoziibean-Two Rivers IV
  • Train Whistle Blowin'
  • Interlude When She Was White
  • A Regrettable Unforgettable Christmas
  • Blood Memory
  • Niizhoziibean-Two Rivers V
  • Rob's Second Arrival
  • The Twilight Zone
  • My First Client
  • Letters
  • The Moment
  • The Phone Call
  • The Day I Met My Mother
  • Niizhoziibean-Two Rivers VI
  • Wolf, Come In
  • When My Sister Drums
  • Two-Spirits?
  • Songs and a Name
  • Ceremony
  • Another Brother
  • Niagara Falls
  • It's Not Who You Claim, It's Who Claims You
  • The Rancher
  • To Be Métis: One Woman's Journey
  • Interlude Elzéar Goulet
  • Cultural Blindness
  • A Great Honour on a Healer's Path
  • Family Visit
  • To the One Who Was My Gateway
  • How Old Am I Now?
  • How to Unravel a Life
  • Indigenous Pain
  • Sorry and Glad
  • Living/Room
  • Once Upon a Time in a Hospice
  • Interlude Bruised
  • Drum Beats
  • Niizhoziibean-Two Rivers VII
  • A Few Questions
  • You Weigh the Worth
  • Point Michaud
  • Stories Untold
  • Postlude A River People
  • Acknowledgments
  • Endnotes
Review by Publisher's Weekly Review

"Since nobody has written what I need to read, I'll have to write it myself," writes psychotherapist Currie in her powerful debut memoir. A survivor of the Sixties Scoop--a mid-20th century effort on the part of Canadian social services to remove Indigenous children from their homes for adoption by white parents--Currie describes the trauma she experienced after being taken as an infant from her Métis parents, which included not only physical and emotional abuse but also the "psychic wound" of "disconnection" from her Indigenous culture and community. Currie recounts reconnecting with her birth family--which she describes as an attempt at healing that will never be fully complete--and gives fascinating insight into the work she has pioneered as a psychotherapist to other Indigenous survivors of the Scoop and of residential schools, writing that their process of reconnection is complicated by differences in how identity is understood across cultures ("For Indigenous Peoples, the self is inseparable from the community"). Also delving into the history of colonization (including her own French ancestors), and incorporating traditional songs and Currie's own poetry ("exhaustion takes our tears/ they disappear into the same place/ where all the deep breaths we cannot take/ lay heavy and dense"), this roving narrative is full of moments of sharp clarity. The result is a stirring and hopeful vision of spiritual reconciliation with the ghosts of the past. (Oct.)

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