The flitting A memoir of fathers, sons, and butterflies

Ben Masters

Book - 2024

"The Flitting: A Memoir of Fathers, Sons, and Butterflies is a masterful and touching memoir blending natural history, pop culture, and literary biography-delivering a richly layered and nuanced portrait of a son's attempt, after years of stubborn resistance, to take on his dying father's love of the natural world. With his father unable to leave the house and follow the butterfly cycle for the first time since he was a child, Masters endeavors to become his connection to the outdoors and his treasured butterflies, reporting back with stories of beloved species-Purple Emperors, Lulworth Skippers, Wood Whites, and Silver-studded Blues-and with stories of the woods and meadows that are their habitats and once were his. Structur...ed around a series of exchanges and remembrances, butterflies become a way of talking about masculinity, memory, generational differences, and ultimately loss and continuation. Masters takes readers on an unlikely journey where Luther Vandross and The Sopranos rub shoulders with the likes of Angela Carter and Virginia Woolf on butterflies and gender; the metamorphoses of Prince; Zadie Smith on Joni Mitchell and how sensibilities evolve; and the lives and works of Vladimir Nabokov and other literary lepidopterists. In this beautiful debut memoir, Ben Masters offers an intensely authentic, unforgettable portrait of a father and son sharing passions, lessons, and regrets before they run out of time"--

Saved in:

2nd Floor New Shelf Show me where

BIOGRAPHY/Masters, Ben
1 / 1 copies available
Location Call Number   Status
2nd Floor New Shelf BIOGRAPHY/Masters, Ben (NEW SHELF) Checked In
Subjects
Genres
Autobiographies
Published
Portland, Oregon : Tin House 2024.
Language
English
Main Author
Ben Masters (author)
Edition
First US edition
Physical Description
334 pages : illustrations ; 22 cm
Bibliography
Includes bibliographical references (pages 311-328) and index.
ISBN
9781959030812
  • Prologue
  • I. Luworth Skipper
  • 1. The Unknowing
  • 2. 4-4-2
  • 3. Our Fathers' Studies
  • 4. Dance with My Father
  • 5. Terminal
  • 6. The Early Spring Fliers
  • 7. The Gift (i)
  • II. Purple Emperor
  • 8. If You Go Down to the Woods Today
  • 9. A Momentary Vacuum
  • 10. Dad the Obscure
  • 11. The Gift (ii)
  • 12. Magic Carpet Ride
  • 13. The Lowick, Sudborough, and Slipton Parish Newsletter
  • 14. The Purple Prince
  • 15. Emergency
  • III. The Blues
  • 16. The Boxer
  • 17. Holly Blue
  • 18. Pictures of You
  • 19. Mr. Blue and Mrs. Woolf
  • 20. Lulworth Skipper Revisited
  • 21. Silver-studded Blue
  • 22. What is Man?
  • 23. Mum
  • 24. Chalkhills and Adonises
  • 25. Gossamer-Winged
  • IV. Wood White
  • 26. Hinterland
  • 27. White Butterflies
  • 28. Moth-Hunting
  • 29. Legacy
  • 30. Style is Substance
  • 31. I Hug You
  • 32. Waking Dad
  • 33. Who's Afraid of Tony Soprano?
  • V. Clouded Yellow
  • 34. Unexpected Readings
  • 35. Northamptonshire Poet
  • 36. Time Passes
  • 37. Homeless at Home
  • 38. A Change in Sensibility, in Four Parts
  • 39. Dark Vanessa
  • 40. Taking Stock
  • 41. Shadows of Taste
  • 42. The Anxiety of Influence, in Three Parts
  • 43. Strange Meeting
  • 44. Voice
  • 45. Visitation
  • 46. The Flitting
  • Coda
  • Acknowledgements
  • Endnotes
  • Bibliography
  • Index
Review by Booklist Review

T his beautifully written memoir tells of a son's evolving relationship with his dying father, couched within a natural history of butterflies. On the surface, university literature professor Masters seems to have built a life and different from his dad, a robust outdoorsman and aficionado of hunting and fishing. But during the author's father's final year of life, as he succumbs to cancer and faces one indignity after another, their differences dissipate, and Masters learns more about the man he grew up with--and presumably away from. This resulting text artfully weaves together family stories and memories, Masters' continuing education about lepidoptery (his father's great passion), references to writers ranging across time from Virginia Woolf and Vladimir Nabokov to Prince and Zadie Smith, and the author's musings on raising his own son, a toddler, couched within regrets stemming from his own childhood. The father shares previously penned poetry; the son recounts butterfly sightings in the wild. This is a heartfelt account of a relationship forged late in life, all the sweeter for its timing.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Masters (Noughties) takes up lepidoptery to connect with his dying father in this affecting blend of memoir and literary criticism. After his nature-loving father received a terminal cancer diagnosis on the eve of the U.K.'s 2020 Covid lockdown, Masters was determined to be his dad's link to the outside world. He began texting his father snaps of butterflies he encountered during walks in the park, growing intrigued by the creatures' sublime beauty and sheepish about his adolescent dismissal of his father's fondness for the natural world. With his father's help, Masters began to recognize previously indistinguishable specimens, tracing, for example, the subtle differences between the Small White, the Large White, the Green-veined White, and Orange Tip ("I figure the whites as the John, Paul, George, and Ringo of the British butterfly kingdom"). Searches for elusive specimens take on poignant significance, stirring in Masters an "aching nostalgia for a future that Dad and I will not share." In between chapters of personal reflection, Masters documents famous literary encounters with butterflies, including Virginia Woolf's frequent use of the insect as a metaphor for fluid identities and Vladimir Nabokov's contributions to the field of lepidoptery. While these analyses are plenty stimulating, it's Masters's heartfelt account of building bridges with his father that lands hardest. This is sure to tug on readers' heartstrings. Agent: Jessica Wollard, David Higham Assoc. (Oct.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Literary son seeks to connect with his outdoorsman father by exploring the latter's lifelong fascination with butterflies. Masters, who teaches English literature and writing at the University of Nottingham, is a devotee of American popular culture, while Dad, "steeped in natural history," spent his life in the fields and woods of rural Northamptonshire. In this moving memoir, Masters cares for his terminally ill father while taking a crash course in lepidoptery. His "butterflying journey" goes beyond "trophy butterflies up in the canopies" to encompass poetic descriptions of their various forms of beauty, such as the "tiny white bit of punctuation on each hindwing of the Commas, short breaths for dead clauses." Masters alternates passages of his lessons in natural life with stories from the lives of famous literary lepidopterists such as Vladimir Nabokov and Virginia Woolf. Nabokov advanced methods for classifying butterflies and identified a new species; Woolf portrayed her fellow novelist E.M. Forster as a pale blue butterfly. But for all of the entomological references Masters finds in great books, nature poetry, and pop culture, his memoir really resonates when he gets personal and describes the deepening of the father-son relationship in the face of imminent death. Along the way of his transformation "from butterfly-ignorer to butterfly-obsessive," Masters brings his writerly skills to bear, such as when he describes the silver-washed fritillary as "an ingenious piece of orange origami powering above and disappearing into the hedgerow." There are paeans to great insects like the purple emperor with its "owlish eyespot" and the white admiral with its "leopardish underside." His recollections of his naturalist father and their late-in-life connection is replete with butterfly themes and imagery, but ultimately it is the humanity of their story that compels. A heartfelt remembrance. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.