The lies of the artists Essays on Italian art, 1450-1750

Ingrid D. Rowland

Book - 2024

"A collection of often iconoclastic essays on a number of key Renaissance artists"--

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2nd Floor New Shelf 709.45/Rowland (NEW SHELF) Due Jul 29, 2025
Subjects
Published
Cambridge, Massachusetts : The MIT Press [2024]
Language
English
Main Author
Ingrid D. Rowland (author)
Physical Description
170 pages : illustrations (some color) ; 23 cm
Bibliography
Includes bibliographical references.
ISBN
9780262549097
  • Introduction: The Lies of the Artists
  • 1. Bronzes for the Ages (Bertoldo di Giovanni)
  • 2. "A Painter Not Human" (AntoneUo da Messina)
  • 3. The Gentle Genius (Raphael)
  • 4. Roman Rivalries (Sebastiano del Piombo and Michelangelo)
  • 5. Sublime, Exhilarating Andrea del Sarto
  • 6. He Made Stone Speak (Michelangelo)
  • 7. The Local, Universal Master (Titian)
  • 8. The Fantastical Little Dyer (Tintoretto)
  • 9. Irresistible El Greco
  • 10. Radiant, Angry Caravaggio
  • 11. Women Artists and the Boundaries of Art
  • 12. Brutality and Brilliance (Artemisia Gentileschi)
  • 13. He Had the Touch (GianLorenzo Bernini)
  • 14. Eros, Mystery, Menace (Giambattista Tiepolo)
  • 15. Giorgio Vasari's Passionate Gamble
  • Acknowledgments
  • Notes
  • Bibliography
Review by Kirkus Book Review

Seeing Italian art with fresh eyes. Rowland is a respected historian at the University of Notre Dame who has written a series of books about the art of the Renaissance. This collection of essays focuses on artists who "lied": that is, who were able to depict reality in a way that went beyond the realistic to reach a sublime level. This was considered a pinnacle of achievement, and Rowland traces the idea through some of the key works of the era. Several of the artists discussed here, such as Raphael, Titian, Bernini, and Michelangelo, are famous, but Rowland finds new things to say about them by delving into their biographical details and working methods. She also does much to rescue the reputations of figures who are almost forgotten, such as Bertoldo di Giovanni, a sculptor of "beguiling little masterpieces," and Artemisia Gentileschi, an artist of "brutality and brilliance" and one of the few successful female painters of the time. Rowland frames much of her analysis with a book written in the period,Lives of the Artists, by Giorgio Vasari, who was himself a fair artist as well as an author. This gives her own study additional authenticity and provides the opportunity for her to add personal touches and flashes of humor. It all makes for an enjoyable collection, of interest to art aficionados and general readers alike. Rowland does not include pictures of all the works she cites, but her enthusiasm for her subject is contagious and many readers are likely to enjoy tracking them down for themselves. A novel approach to Renaissance art. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.