All better now

Neal Shusterman

Book - 2025

Three teens seek to unravel the truth behind conflicting agendas surrounding a deadly virus that could change humanity forever.

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Subjects
Genres
Young adult fiction
Dystopian fiction
Thrillers (Fiction)
Novels
Published
New York : Simon & Schuster Books for Young Readers [2025]
Language
English
Main Author
Neal Shusterman (author)
Edition
First edition
Physical Description
518 pages ; 22 cm
Audience
Ages 12 up.
Grades 7-9.
ISBN
9781534432758
Contents unavailable.
Review by Booklist Review

Shusterman, known well for the Scythe and Unwind series, shows what post-pandemic narratives might look like in this contemporary dystopia. The world is once again in the throes of another global pandemic--Crown Royale. Some succumb to the virus and pass on. Others, who survive, remain, though afflicted with noxious serenity and blocked inhibitions. The narrative follows three teens whose experiences with the virus are as disparate as their lives, eventually intertwining. Mariel is independent, pragmatic, and living out of her car. Rón is the insecure, restless son of a tech billionaire. Morgan, cunning and driven, is given the opportunity of a lifetime to concoct a vaccine. The ensemble contend with privilege, consent, and ethics as they navigate the fine line between illness and wellness. Readers will likely contend as well on which situation they identify with, which characters they root for, or those which they abhor. There are brief mentions of suicide that should be handled with care, but otherwise, Shusterman has crafted a good fit for contemporary thriller fans.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

This epic biological thriller by Shusterman (Break to You) finds three teens grappling for world-changing power during a post-Covid-19 pandemic of an evolved coronavirus. While Crown Royale, an airborne "disease of mindless euphoria," outpaces Covid's mortality rate, those fortunate enough to recover report rejuvenated senses and "a newfound sense of completion." In San Francisco, unhoused Mariel Mudroch's natural immunity to Crown Royale makes her the perfect sidekick for wealthy Rón Tigre Escobedo, an alpha spreader on a "humanity-saving mission" of intentionally infecting others--until 19-year-old Morgan Willmon-Wu inherits plans to eradicate Crown Royale and learns that Mariel's immunity is the missing link to the purported cure's success. But how does one destroy a joy-spreading virus from which the world claims it doesn't want--or need--to be saved? Shusterman's cerebral third-person narration deftly unspools globe-trotting medical drama from multiple perspectives as Crown Royale's threat to economic and political stability ensnares the intersectionally diverse cast in morally gray dilemmas. The plot twists keep coming all the way to the enigmatic, jaw-dropping conclusion in this exquisitely rendered work. Ages 12--up. Agent: Andrea Brown, Andrea Brown Literary. (Feb.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Horn Book Review

In the near future, the Crown Royale virus is wreaking havoc on the world. One in every twenty-five people who contract it will die from it, but those who recover experience a blissful, euphoric state. This has advantages and disadvantages, both for individuals and for society. These fertile conditions allow Shusterman to leverage his prodigious imaginative and storytelling skills, as well as the inherent moral ambiguity of the premise, to tell the tales of three young adults. Mariel Mudroch and her mother, perpetually down on their luck, treat themselves to a luxury rental in San Francisco for one night. They are ushered into it by Ron Escobedo, sixteen-year-old son of the third richest man in the world, who owns the property. Meanwhile, in London, Morgan Willmon-Wu, nineteen, has been handpicked by elderly curmudgeon Dame Havilland for her resourcefulness. Morgan will inherit a considerable estate and the charge to eradicate the virus from the Earth. Gradually, their stories begin to converge -- and before the expansive plot reaches its denouement, there will be twists and turns, surprises and revelations, intriguing characters and far-flung settings, and plenty of food for thought. Jonathan HuntMay/June 2025 p.98 (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A virus that kills some but leaves those who recover utterly happy and filled with empathy is at the center of this dystopian science-fiction thriller. In a post-Covid-19 society, the fates of three teens become intertwined when the new Crown Royale virus breaks out. Despite the 4% mortality rate, its positive effects on those who survive quickly make it desirable, and some people purposefully try to catch it. Using third-person narration, Shusterman introduces Mariel Mudroch, who at the story's opening is living in a car with her mom; Mariel turns out to be immune to the virus. The boy she falls for, Rón Escobedo, is from an extraordinarily wealthy family and has suffered from persistent depression. When he recovers from the virus, he learns that he's an alpha-spreader, someone who continues shedding the virus even after they're healthy. Finally, ambitious Morgan Willmon-Wu is approached by the rich and powerful Hungarian-born Dame Havilland, who leaves her money to Morgan, stipulating that she use it to "eradicate Crown Royale from the face of the Earth." In his trademark darkly witty, wonderfully over-the-top style, the author meanders through interesting ethical questions as the action plays out globally with a cast of diverse background characters, eventually leading to a conclusion that leaves things wide open for a sequel. Mariel presents white, Rón is cued Latine, and Morgan, who's interested in both girls and boys, is biracial (Chinese and white). A thought-provoking and grimly enjoyable tale exploring a strange future.(Dystopian. 13-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1: Mariel Rides Space Mountain 1 Mariel Rides Space Mountain It was the wrong time to be living on the streets. Not that there was ever a right time, but this new disease--it was picking up steam, threatening to be another pandem--No. No, Mariel didn't even want to invoke the P word. As if just thinking it would make it so. "It's not so bad, baby," her mother told her. "It's not like we gotta be near people. Even out here we can find ways to isolate. We don't gotta be near anyone if we don't want to be." Mariel's mother lived in denial. Truly lived there. If denial were a solid piece of real estate, Gena Mudroch would have a mansion on it. Or at least a garage so they'd finally have a safe and legal place to park their beat-up Fiesta. Right now it was parked, all right. Behind a fence at the impound. Which was why Mariel and Gena were standing on a dark street in the seediest industrial part of town, in the middle of the night, waiting on someone who was, in theory, going to help them break their car out. Unlike her mother, Mariel did not live in a constant state of denial. She was practical. A realist. She had to be; practicality was more than a survival skill--it was her superpower. Because without it, her mom would probably be dead, and Mariel would have been swallowed whole by the foster care system years ago. "Maybe...," began Mariel. "Maybe we should be with people." "What, and catch this thing? No way!" "But maybe we should get it over with quick. You know--before the hospitals get full, while there are still services for us." Her mom brushed her straggly hair out of her eyes. "I know what you're thinking," she said, giving Mariel her suspicious look--the one she usually reserved for anyone and everyone else. "You can't really believe what the nuts out there are saying?" "I know it sounds... out there ... but there's always a chance it could be true." "Since when do you listen to rumors, huh? You, who's gotta have scientific proof of everything under the sun!" Her mother was right--rumor was the currency of ignorance. But anecdotal evidence had to count for something. "I've seen interviews with people who've had it," Mariel told her mom. "They seem... I don't know... different." "How can you know they're different when you didn't know 'em to begin with?" Mariel shrugged. "There's something in their eyes, Momma. Something... wise." Her mother guffawed at that. "Trust me, no one gets smart from getting sick." "I didn't say 'smart.' I said 'wise.'?" But "wise" wasn't really the word for it either. "Centered" was more like it. Being at home. Even if you don't have one. "You're dreaming," her mother said. "That's okay, you're allowed." As practical as Mariel needed to be to survive life with her mother, she wasn't immune to the occasional flight of fancy. Especially when it gave her hope. She told herself that hanging on to hope was nothing like her mother's perpetual state of denial, but deep down, she knew hope and denial were reluctant neighbors. They glared at each other from across the same silty river of circumstance. Across the lonely street, a man walked with a purposeful gait, which also seemed a bit loose, like his joints were made of rubber. Although he was mostly in shadow, Mariel could tell he glanced over at them. Was this the guy? Or was this just someone who was gonna bring them trouble? Turned out he was neither; he just continued on his merry way toward whatever place a rubbery man goes at two in the morning. "That's not true, you know," she said to her mom, who had already forgotten the conversation and needed to be reminded. "People do grow from being sick. What about Grandpa--he changed. He had a whole new perspective after he beat cancer." Her mother gave a rueful chuckle. "I wouldn't want to go through that just to get some perspective. And besides, a heart attack got him not a year later, so what good did that perspective do?" Mariel had no answer for that one. Now it was her mom sounding like the realist. "We'll be fine, baby," she said. "We'll find a place where we can park safe and legal, and then we'll hunker down and wait it out, once we get the Grinch out of impound." The Grinch was their green Fiesta. Mom had a thing about naming inanimate objects. The guy who was coming to help them was late. Her mother had said " two-ish ," but that was from the guy who knew the guy that knew her mom. Three degrees of separation from a nameless man who already had their money. Realism told Mariel he wasn't coming. Hope told her that maybe something better was. Mariel always did her best to align her need for hope with her practical nature. In this case, both told her that maybe it was best to lean into this pandemic--and yes, she used the P word, because clearly that's what it was becoming. But a different one. A very different one. The previous one, of course, was devastating. Millions dead worldwide. People fighting science, grasping at absurd conspiracy theories, hearsay, and random social media posts, even as they lay dying. While people who did follow the science and the rules wished death upon those who didn't. That pandemic exposed the very worst of human nature on all sides. Her mom, of course, was one of the deniers, and went out partying during the worst of it. She caught it early, and although Mariel never did, it seemed her mom had it bad enough for both of them. Bad enough to land her in the hospital. They still had insurance back then, but it didn't matter, because there were no ventilators to be had. Her mom made it through--but it took forever. She had the long syndrome--not technically sick anymore, but not actually better. She couldn't work for months, and once she could, her job was gone. The restaurant she had worked at, like so many restaurants in San Francisco, went permanently out of business. After that, it was Space Mountain. That's what Mariel called her mother's tumultuous downward spirals--which her mom always rode with her eyes firmly closed and in the dark. And although her mom managed to get occasional work here and there when the world opened up, the damage had been done. Damage on too many levels to count. So now they were here. On a deserted street, where nobody in their right mind should be, at an hour nobody in their right mind should be there, waiting for a guy who probably wasn't coming. "Wouldn't it have been better to just use the money to pay the ticket and the impound fee, instead of paying some guy you don't even know?" To that, her mother just grunted. That money, which had been demanded in advance, was basically all the money they had left. The last bit given to them by Mariel's uncle, who said it was the last time. Which was what he always said. "This asshole ain't showing," her mom finally proclaimed. Then she sighed. "Sucks to be us." That was her favorite expression. Right up there with "It is what it is." Well, Mariel refused to accept it being what it was. And she refused to accept a sucks-to-be-me attitude. Feeling sorry for herself wouldn't help anyone, least of all her. But that latest interview she had seen... If what she suspected was true, it could help everything. Change everything. Maybe. It was just a few days ago. They had been sitting in a bar and grill that called itself a gastropub so they could charge more, and eating a meal that her mom would pay only about a third of before bailing. Mariel respected that about her mother: she wouldn't just dine-and-ditch; she would always leave something. "I won't stiff the servers," she told Mariel. "They deserve better than what we can give." It was her hope that the server would pocket that money as a tip, and let the restaurant write off the meal. The gastropub had three TVs, and although two of them were showing sports, the third showed the news. A man who had been hospitalized for "Crown Royale"--which was what they were calling this new coronaform virus--was being interviewed. For a man who had just been at death's door, he looked pretty happy--and it wasn't just relief at being alive. "How do you feel now?" the reporter asked. A dumb but obligatory question. The man smiled a genuine smile and seemed to focus on the reporter as if seeing something wonderful in her eyes. "I feel better than ever!" he said. "Really--better than ever !" And then he laughed. He actually laughed. As if all his cares and worries had lifted with his fever, never to return. Mariel could definitely use some of that. Excerpted from All Better Now by Neal Shusterman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.