The untold story of books A writer's history of book publishing

Michael Castleman

Book - 2024

"From Gutenberg to Amazon, Michael Castleman's The Untold Story of Books is the first and only history of publishing told from a veteran author's point of view. Witty, entertaining, and full of remarkable new insights, it is a deeply researched, fascinating history of the idiosyncratic book business--aimed at authors, aspiring authors, booksellers, industry professionals, and everyone who loves to read books. Organized into three distinct book businesses, all defined by the evolution of printing, The Untold Story of Books explores how each new book business upended its predecessor, forcing authors, publishers, and booksellers to adapt to ever-changing circumstances. It's a story full of surprises: why did books become fa...vored Christmas presents? Because of a poem written in 1823. Why is New York the nation's publishing capital? Because of the Erie Canal. Why are book endorsements called 'blurbs'? Because of a satirist's joke in 1907. And why is copyright often an illusion? Because publishing was founded on book piracy, which today is easier and more rampant than ever. Arriving at the present day, Castleman paints a compelling portrait of an evolving book business full of new promise and peril"--

Saved in:
1 copy ordered
Subjects
Genres
Informational works
Documents d'information
Published
Los Angeles, CA : The Unnamed Press 2024.
Language
English
Main Author
Michael Castleman (author)
Edition
First edition
Physical Description
271 pages ; 22 cm
Bibliography
Includes bibliographical references (pages 257-261) and index.
ISBN
9781961884083
  • Introduction
  • Part I. The First Book Business
  • 1. Want a Book? That'll Be $75,000
  • 2. Gutenberg Went Bankrupt
  • 3. Meanwhile, In America: Want a Book? That'll be $600
  • 4. How to Reduce the Price of Books: Piracy
  • 5. Copyright Struggles and Printing Innovations, as Pulp Paper Creates an Enduring Class Divide in Books
  • 6. New York Becomes the Nation's Publishing Capital on "The Night Before Christmas"
  • 7. Authors Battle Book Piracy as the First Book Sells a Million Copies
  • 8. The Questionable Dawn of Book Reviewing, and "Business is Business"
  • Part II. The Second Book Business
  • 9. Publishing Industrializes and Carnegie Builds 1,689 Libraries
  • 10. Publishers and Authors Undeterred by "Too Many Books"
  • 11. From "The Doom of Books" to Department Stores with Authors as Supplicants in the "Gentlemanly" Book Business
  • 12. Authors Flock to Agents as Editing Becomes Formalized and Covers Become Billboards
  • 13. The Fraught Debut of Bestseller Lists, and a "Line of Type"
  • 14. "Goodbye Forever, Mrs. Weathersby, I've Joined Book of the Month"
  • 15. Simon Meets Schuster, and Publishers Wonder if Advertising Sells Books
  • 16. Under Pressure: The Great Depression Changes Bookselling
  • 17. The Kid Who Singlehandedly Changed the Book Business
  • 18. The Bumpy Road to Blockbusters, as Books' Shelf Life Falls to "Somewhere Between Milk and Yogurt"
  • 19. BookScan and (Non)Transparency in Publishing
  • Part III. The Third Book Business
  • 20. Brave New (Digital) World
  • 21. The Meteoric Rise and Decline of E-Books
  • 22. The Many Challenges of Self-Publishing, and the Conundrum of "Quality"
  • 23. Backlist Gold and Mass-Market Hardcovers, as the Biggest Names Become Their Own Co-Publishers
  • 24. Everyone Struggles with Amazon
  • 25. The Likely Future of the Book Business
  • Acknowledgments
  • Sources and Bibliography
  • Index
  • About the Author
Review by Publisher's Weekly Review

Health science writer Castleman (Sizzling Sex for Life) presents a sweeping 600-year chronicle of the book business, which he contends has gone through "three distinct epochs with three different economic strategies." The first began with Johannes Gutenberg's invention of the printing press in 1450, which made it possible to mass produce books even as low literacy rates meant that few sold (Gutenberg went bankrupt after failing to sell enough bibles to repay his creditor). Authors contracted directly with printers until the introduction of industrial machinery in the late 19th century made book production more efficient yet more expensive, which incentivized authors to sign with newly established publishing companies who could handle the higher costs. The third epoch covers such 21st-century developments as the return of self-publishing and the shift of power from publishers to Amazon, which demands wholesale discounts and "promotional fees" from publishers in exchange for increasing the visibility of titles on its platform. Fascinating detours explore the establishment of copyright protections in the 16th century and the seedy origins of book reviewing in the early 19th century (reviewers usually took bribes from publishers and threatened pans if not advanced payment), and Castleman provides a rousing account of how independent bookstores have bounced back over the past decade by "embracing the three C's: community, curation, and convening." Bibliophiles will be enthralled. (July)

(c) Copyright PWxyz, LLC. All rights reserved