Ward toward

Cindy Juyoung Ok

Book - 2024

"'There are places,' Cindy Juyoung Ok writes, 'where shaking is expected, loss is / assumed.' In the 118th volume of the Yale Series of Younger Poets, Ok moves assuredly between spaces--from the psych ward to a prison cell, from divided countries to hospice wards. She plumbs these institutions of constraint, ward to ward, and the role of each reality's language, word to word, as she uncovers fractured private codes and shares them in argument, song, and prayer. Using visual play in invented forms, Ok counters familiar narratives about mental illness, abuse, and death, positing that it is not a person's character or will that makes survival possible, but luck, and other people. The poems disrupt expectation... with the comedy of institutionalized teens, nostalgia after the climate crisis, tenderness in a nursing home, and the wholeness of faltering Englishes. How do pagodas, Seinfeld, ransoms, swans, and copays each make or refuse meaning? Ok's resolute, energized debut shifts language's fissures to reassemble them into a new place of belonging." -- Provided by publisher (inside flap of dust jacket).

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Subjects
Genres
poetry
Poetry
Published
New Haven : Yale University Press [2024]
Language
English
Main Author
Cindy Juyoung Ok (author)
Physical Description
xiv, 83 pages : illustration ; 25 cm
ISBN
9780300273915
9780300273922
  • Foreword
  • Three Act Comedy
  • Orientation
  • Laugh Track
  • "P. S. Please Forgive Poor Grammar"
  • Moss and Marigold
  • Before the DMZ
  • Fissured
  • The Orders
  • Pale Music
  • Terms and Conditions
  • The Tyranny of Representation
  • I Was a Highly Awarded
  • Clustering
  • Park Street
  • Composition of a Raft
  • Surviving Inklings
  • Tally of What Names
  • Ward of One
  • The Five Room Dance
  • Shakeout
  • Nap Plot
  • Patch
  • Leave Her to Heaven
  • Ten Sessions
  • Ten Sessions
  • It Is Like
  • Ten Words
  • In Atlanta
  • Bartender's Bargain
  • Rights
  • Table of Contexts
  • Curtain
  • The End of Crisis
  • Home Ward
  • Sunset, Glory
  • River
  • Mama I Am Sorry
  • Faint
  • Setting
  • Sheds
  • "How Is Temperature in East?"
  • Ceremony
  • Answering My Great-Grandmother
  • Degeneration
  • Signs
  • Home Ward
  • At the End
  • Residue Guidelines
  • Notes
  • Acknowledgments
Review by Publisher's Weekly Review

Winner of the 2023 Yale Younger Poets Prize, Ok in her refreshing debut uses language to push against the staid edges of the status quo, exposing the tenuous and often contradictory beliefs that seemingly undergird reality. With their capacious perspective, these verses bear witness to the hypocrisies of convention on the personal and global scale. A concrete poem titled "Before DMZ" takes the shape of the Korean peninsula before its split into North and South, formally echoing that geopolitical bifurcation in the piece's two halves, while also exploring the speaker's complex family ties and calling into question the forces continuing to ensure such a split: "My/ moth-/er sent/ a photo of/ the federal build-/ ing she was/ being naturalized in,/ writing Boring I/ love you. That winter,/ her father revealed he left/ behind a first wife, two kids, north/ before the war." Ok regularly makes startling connections that invite readers to reexamine their circumstances: "My country is broken, is estranged, is trying, we write,/ as though there is such a material as a country, as/ though the landlord doesn't charge rent for life lived/ outside the house." Ok's brave and idiosyncratic debut challenges institutionalized reality as it gestures toward the possibility of freedom. (Mar.)

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