Review by Publisher's Weekly Review
A child grieving a move to a new apartment narrates this musing moment-by-moment story by Newbery Medalist Stead, making her picture book debut. Zhang (Emergency Quarters) works in close, spidery ballpoint lines and splashes of color to capture the child slumped before a chocolate cake that's meant to celebrate the family's first night in apartment 3B. "Apartments don't have birthdays," the child says. "That's why I put zero candles on the cake," the father smoothly replies, "Plus one, for good luck." He invites the child to make a wish, leading to an agreement of three wishes--three "Anythings." Alternating with the child's sensory perceptions, longing remembrances of the family's previous apartment, and "secret" wishes that can't be met, the Anythings are granted. A rainbow appears painted on a bedroom wall, dinner includes "the biggest slice of pizza in the whole world," and Thursday bath night is abandoned. ("I have an important announcement," Daddy says. "Today is not Thursday.") That night, awakened by a passing siren, a deeper, fourth Anything emerges: "I want to go home." In the sequence that follows, this tender portrait captures a child met where they are by a parent who, with patience and humor, offers all the comfort the child needs--free of judgment or pressure. Character skin tones take the white of the page. Ages 3--5. (Apr.)
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Review by Horn Book Review
In this first picture book written by middle-grade powerhouse Stead (Newbery Medalist for When You Reach Me, rev. 7/09), the unnamed narrator's father serves up chocolate cake to celebrate their first day in apartment 3B. "But something was wrong." Daddy says the child can make three wishes, for "Anything." Grief lies between the lines of restrained text. "I can wish for very hard things," but those Anything wishes are for things like the biggest slice of pizza in the world, requests the father can approximate. Illustrations done primarily in black ballpoint pen with small patches of gouache color open the book. In Zhang's subsequent spreads, as the narrator more fully feels and expresses emotions, the colors expand and ultimately fill the entire space. We don't know why this pair has moved, but heartache is evident in the effort both parties are making and in the tentative expressions on the child's face while navigating change. A secret wish comes out in a series of heavily inked nighttime spreads when a siren tears through the quiet: "I wish I had one more Anything. Because I want to go home." Resourceful Daddy provides comfort and creates a new memory, beginning to transform the unfamiliar place into their home. This introspective, sensitive, and stunningly rendered story will encourage families weathering tough transitions and stay with readers for a long time. Adrienne L. PettinelliMarch/April 2025 p.58 (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Newbery Medalist Stead makes her picture-book debut with the tale of a youngster dealing with that most turbulent of childhood upheavals: moving. A father and child mark the occasion with a birthday cake for their new apartment. Daddy encourages the youngster to blow out the candle. "What should I wish for?" "Anything." Permitted to wish for three "Anythings," the protagonist requests "a rainbow in my new room," a big slice of pizza, and to put off bath time. Daddy obliges, but later, the child is awakened in the night by frightening noises. "I wish I had one more Anything," the child tells Daddy. "Because I want to go home." Daddy hoists the little one onto his back: "All aboard the train to home!" After several lengthy trips around the apartment and a good night's sleep, the child awakens with a newfound appreciation for the family's abode. Stead traces a believably earned journey from fear and uncertainty to acceptance. Though spare, her first-person narration is steeped in emotion and laced with realistically childlike musings. The text pairs seamlessly with Zhang's expressive gouache and ballpoint pen artwork. As the two (both with skin the white of the page) settle in, their surroundings gradually go from scenes with just a few items, rendered with soft lines against a stark white background, to highly detailed spreads brimming with warm colors--a compelling visual representation of the child's trajectory. A sensitive, beautifully wrought meditation on change.(Picture book. 4-8) Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
