Review by Booklist Review
Full of literal and figurative meaning, this book is presented as a physical object, and this book explains both the creative and the business process for making a book, tracing its journey from artist's sketches to a child's room. The cover illustration introduces the nested concept with hands holding a book; the back cover of the book repeats the image within the image. Opening with the artist's home and some details of her life, we see how the drawings begin. We are given a peek into the artist's garden, kitchen, and studio as she works. She bicycles into town to deliver the art to the publisher's office, then the book travels from publisher to printer to truck to city to school. When the book arrives in the child's hands, we see her neighborhood, home, kitchen, and family, providing the opposite bookend to the details about the artist. The glimpses into their lives are given texture by the watercolor-and-pencil illustrations, which include homages to famous children's books. Each word of the brief text is chosen with care, adding specific details. The descriptive phrases often end with an emphasis word--something to make the reader stop and ponder. Those special words are gathered up at the end, bringing the parts of the book's journey together into one unified message.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In a winningly granular work that shows how components make up a whole, Caldecott Honoree Cooper uses list-forward lines and thumbnail-like sketches to trace a book's creation, from inspiration onward. An artist, a tiny form briefly outlined, sits sketching outside a seaside cottage, penciled images flying forth. Indoors, her art studio overflows with "paper, pencils, watercolors, brushes, sketches, drafts, a wastebasket." Miniature vignettes show the figure painting, wielding a pencil, considering images on the wall. Finally, the finished manuscript heads to a publisher's office ("editors, designers, assistants") and then to a printer ("printing presses, binding machines, glue"). Sweeping vistas next follow the finished volume's journey to a city school library, where it at last reaches a reader. The child's imagination is set alight, and, surrounded by classic picture books, the reader sits down with a sketchbook and forms a new stream of images. It's a step-by-step representation of how a book comes into being, focused on how much depends on "teamwork, time, beauty, adventure, grit, inspiration, curiosity, action, structure, humor, wonder, and love." Characters are portrayed with various skin tones. Ages 4--8. (Apr.)
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Review by School Library Journal Review
PreS-Gr 2--Caldecott honoree Cooper has crafted a lovely tribute to the process that brings books from creative and talented minds into the hands of children, inspiring further creation. Sweeping illustrations and small spot art, done in watercolor and pencil, capture the experience of an illustrator creating a book, delivering it to their editor, and the book going through the manufacturing process and out into the world to be shelved and eventually taken home by a young person. The use of faceless characters nudges readers to find themselves under the influence of a beautiful story and may encourage them to create one themselves. For a look into the global production process, Polly Faber's Special Delivery: A Book's Journey Around the World could be a worthy complement to this title. Curiously, while the details of production are not the focus of this text, it is worth noting that the production phase features a printing factory with a large American flag in the art while the copyright page of Cooper's book is itself is marked "printed and bound in China." VERDICT Focused on capturing the creative process and its power to, in turn, inspire further creation, this title is broad in scope; the wide landscapes and tight vignettes will encourage young people to find the stories around themselves in places large and small.--John Scott
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Review by Horn Book Review
"Here is a book" that seeks to connect children and their daily lives to art and the process of creation. Long, list-like sentences meander across multiple spreads, creating a meditative mood while encouraging page-turns. Cooper begins by describing an artist's garden "made with sun, rain, dirt, shovels, seeds, and love"; her home "built with wood, hammers, paint, brushes, a shingled roof, and care"; and her studio "overflowing with paper, pencils, watercolors, brushes, sketches, drafts, a wastebasket, a light, a desk, a chair, music, tea, days, nights, art, and wonder." The artist bikes her art to her publisher in a nearby town, who lays it out and sends it to the printer, who distributes the book. Watercolor and pencil illustrations in dreamy blues set indistinct figures with varied skin tones in robust settings, encouraging readers to imagine themselves doing things like working in a printing factory or driving a truck cross-country. The book the artist created ultimately arrives at a school, and a child brings it home to her room "overflowing with paper, pencils, a desk, a chair, stuffed bears, hot chocolate, days, nights, art, and wonder." Then she begins creating her own book. This reverie made manifest will be welcome in classrooms, libraries, and homes that value reading and art. Adrienne L. PettinelliMay/June 2025 p.60 (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A book's journey from a thought to a home. It's been decades since Aliki'sHow a Book Is Made (1986) was published, and clearly the process is worth revisiting in the 21st century. We begin with a tan-skinned artist, living an idyllic country lifestyle. She brings her work into town via bike, then presents it to her publisher. In a somewhat sped-up series of events, editors, designers, and others look at the layouts before they're sent to the printer. The resulting books go to a large metropolis, and one finds its way into a school library and the arms of a child. Depicting covers from many classic picture books, Cooper drives home the point that each book has undergone this process and, like the one in readers' hands, is "made with love." His watercolor illustrations alternate between sweeping urban and rural vistas, while his human figures, varied in skin tone, are often little more than thin ink outlines, yet still capable of conveying deep emotion. This beauty is echoed in the text's poetic lyricism, as when Cooper writes that the artist is "carrying her art across a field swirling with wind, wildflowers, bees, swallows, and color." The printer in the book is American rather than in a country overseas, a not-unheard-of situation but not the experience of the average U.S. book, either. A behind-the-scenes glimpse into the origins of our most beloved titles.(Picture book. 4-8) Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
