Gaza The poem said its piece

Nāṣir Rabāḥ

Book - 2025

"Born in Gaza in 1963, Rabah spent some of his formative years in Egypt, before returning to Gaza in his early twenties, where he has lived ever since. There, among the generations who built its neighborhoods and populate its villages, in a place of great natural beauty and vibrant cities, living under constant surveillance, military occupation, blockade, siege and regular attack, in a culture steeped in literary and spiritual tradition, Rabah developed his distinctively singular vision and poetics. This is Rabah's first book in English translation. The poems include a selection from three of his published collections, along with new poems written after October 2023, during the full-scale Israeli assault on Gaza. Throughout, we fi...nd a combination of irreverence and fidelity to tradition, a sense of surrealism infusing the depiction of everyday incomprehensibilities, and an unsettling, delicate tenderness always on edge in an atmosphere of sensory inundation and emotional saturation. Rabah's poems can be raw and uninhibited by social or literary conventions, exploring and questioning one's relationship to divinity in absurd circumstances while confronting the sacred cows of his own society, along with the sometimes voyeuristic interest from those on the outside of it. His poetry constantly interrogates-sometimes playfully and sometimes in utter existential despair-the paradoxes and difficulties of expression and of writing itself. Nasser Rabah is a poet we have much to learn from. This is a bi-lingual edition and includes the original versions in Arabic"--

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Subjects
Genres
poetry
Poetry
Poésie
Published
San Francisco, CA : City Lights Books 2025]
Language
English
Arabic
Main Author
Nāṣir Rabāḥ (author)
Other Authors
Ammiel Alcalay (translator), Emna Zghal (-), Khaled Al-Hilli
Physical Description
xiv, 176 pages ; 16 cm
ISBN
9780872869127
  • Prelude
  • Water Thirsty for Water
  • The Gate of Text
  • Gaza ... Gaza
  • A Balcony Hanging in the Sky
  • No Mail for Years
  • I Was Sand
  • Getting Out to My Stupor
  • The Blind Man's Cane
  • Prophet of the Lost Way
  • The Tree Nobody Understood
  • Stone Sapling
  • Angels of Old
  • Nocturnal Spirits
  • Distorted Dreams
  • Little Angels
  • A House That Looks Like Your Laugh
  • Early Absence
  • Heart-Shaped Cake
  • The Flattery of Air
  • Ascension
  • Small Fragments
  • Meditations
  • The Trace of Your Butterfly
  • Havoc's Broom
  • Stewing My Groans
  • The Garden of Madness
  • Radiance of the Ordinary
  • What I Didn't Say to Me
  • Background Music for Life
  • Dead Cats Continue to Meow
  • To Whom Should We Recite the Time
  • In the Endless War
  • The Poem Said Its Piece
  • Statues of Flesh and Blood
  • Untitled
  • Leaving the House
  • The Last of the Soldiers
  • Rage
  • Hunger
  • Pieces of Chairs
  • Plaza of Ash
Review by Booklist Review

Displaced by ongoing violence within the Gaza Strip, Palestinian poet and novelist Rabah excavates poetic truths from a crushed collective unconscious. The poems in this English and Arabic bilingual collection are defined by dreamscapes and nightmares that haunt the speakers and offer gut-wrenching glimpses of forced relocation and migration, such as the "dream of a dead / country that smells of an old suitcase." The speaker bemoans the beguiling architecture of his interior when, in a dream, a symbolic gate shape-shifts from water to wood, then "becomes a window and I wake up / and it turns into a wall" in a brutal and bewildering Kafkaesque scenario. Another poem, spoken by sand that hardens into stone in a prison cell, witnesses detainees' suffering and counts "days by the wounds prisoners etched on its cold silence." Yet even in the face of atrocity, the poet channels faith into light ("I intone love so nights / become mosques, and dreams pillows, I sing contentment"), as other poems gesture toward liberation: "you fly kites in the sky of your narrow mind." Rabah's lyrics are crucially vital reading for anyone living through wartime.

From Booklist, Copyright (c) American Library Association. Used with permission.