Holy lacrimony

Michael DeForge, 1987-

Book - 2025

Jackie is the 'saddest living person in the entire world'... according to a mysterious team of alien abductors. To these extraterrestrial shape-shifters, he is an emotional superstar, his misery by far superseding his earthly musical celebrity. Hoping to master this quintessential human emotion, they force him to perform his sadness over and over again. Until just like that, he is returned to his old life. Trying to comprehend what happened, he joins an alien abductee support group. But as each person tells their story, Jackie realizes he may never know.--

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GRAPHIC NOVEL/DeForge
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Subjects
Genres
Graphic novels
Science fiction comics
Comics (Graphic works)
Published
Canada : Drawn & Quarterly 2025.
Language
English
Main Author
Michael DeForge, 1987- (author)
Edition
First edition
Physical Description
117 pages : illustrations (some color) ; 23 cm
ISBN
9781770467552
Contents unavailable.
Review by Publisher's Weekly Review

In the psychedelic latest from Canadian alt-comics mainstay DeForge (Big Kids), a moody musician gets abducted by an alien who manifests as a massive, multi-jawed mouth. Jackie, who's drawn comically thin and corpse-like, is hauled out the window of his apartment by the alien's creepy pseudopod and deposited in a blank blue room. A shape-shifting alien named Kara announces itself as his "apprentice" and declares that the two will create a series of performances to educate aliens about human emotions: "You won't just teach me to cry, you'll teach me how to mean it." The scenario is serio-farcical--Kara, who appears as the killer's mask from the Scream films ("I assumed the likeness of a figure you draw meaning and comfort from"), is most fascinated by Jackie's status as Earth's "saddest living person." After a reality-bending collaboration with Kara that ranges from tutoring and choreography to no-strings sex, Jackie is unceremoniously dropped back on Earth. DeForge's Dali-esque style (masks, snake-like appendages, restrained palette), shifts to a gloomier and flatter black-and-white look to mimic Jackie's terrestrial gloom. In the third act, Jackie joins an alien abductee recovery group, a development that brings a spiky edge to the woozily wry comedy and introduces a more meaningful exploration of alienation. It's a surprisingly thought-provoking gambol. (Mar.)

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