The accidental stowaway

Judith Eagle

Book - 2025

When Patch runs up the gangway of steamship, The Pride and Glory, she isn't planning to hang around. But if she leaves her hiding place the constable who is chasing her will ruin her reputation: sitting tight is worth the risk. Too late, she realises the ship is setting sail! Patch has become an accidental stowaway. Luckily, Patch's unconventional past has made her pretty fearless when it comes to fending for herself, and besides there are friends in high and low places to be made onboard. But hiding away becomes less and less easy: her new friends urgently need her help and a there's a mystery that needs solving, all before they reach New York.

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Subjects
Genres
Historical fiction
Detective and mystery fiction
Published
Somerville, Massachusetts : Walker Books 2025.
Language
English
Main Author
Judith Eagle (author)
Other Authors
Jo-Anne Rioux (illustrator)
Edition
First US edition
Physical Description
270 pages : illustrations ; 21 cm
Audience
8-12.
ISBN
9781536233629
Contents unavailable.
Review by Booklist Review

Esme "Patch" (short for Crosspatch) Leonard has been "passed from pillar to post" her whole life, moving through a string of relatives' homes as a result of having neither a father (dead) nor a mother (absconded). Her newest placement has barely begun when Patch rushes headlong into a grand adventure. Conned by a ship's boy, a furious Patch pursues him onto the RMS Glorious, only for the luxury liner to set sail while she's still aboard. Fortunately, Patch bumps into another girl her age who eagerly agrees to help Patch hide in plain sight as a first-class passenger. Eagle populates the steamship with quirky, memorable characters and creates a fascinating world in miniature as the girls scurry between decks and class divides. The stakes are raised when the girls begin to suspect certain passengers of being up to no good and become entangled with their dangerous scheme. As Patch puzzles out who they really are and what they're up to, several other secrets come to light. Wonderfully scrappy and bighearted, Patch is a protagonist readers will cheer on.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

When the eponymous protagonist learns of a mystery that needs solving aboard a luxury liner, it's all hands on deck in this bustling historical tale by previous collaborators Eagle and Rioux (The Pear Affair). Twelve-year-old Patch often feels like "the kind of parcel that no one wants to receive." Since she was born, she's lived with her father in Kensington, her aunt in Surrey, her grandmother in Northumberland, her uncle in Essex, and with a second cousin twice removed in Islington. Deemed "unmanageable" by the cousin, Patch is next sent to the Liverpool Institute High School for Girls, where she will be cared for by a family friend in the school's employ. But when she arrives at the seaside institution, Patch's new guardian is away. Instead, Patch encounters young American deckhand Turo, on shore leave from cruise ship the RMS Glorious, and she soon finds herself heading unceremoniously to sea as an accidental stowaway. Aboard, she befriends Lilian, a young heiress who offers to help Patch blend in among wealthy patrons sailing to America--until the trio become embroiled in a ship-wide conspiracy. The larger-than-life setting provides ample opportunity for swashbuckling adventures whose stakes, while never too high, are always exciting. Illustrations portray the protagonists with pale skin. Ages 8--12. (July)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

In 1910, a headstrong girl finds herself on an unplanned ocean voyage. Esme "Patch" Leonard, a pale girl with wavy dark hair, has been shuttled from relative to relative all her life, "passed from pillar to post." At her latest placement, with a family friend in Liverpool, she discovers a small package labeled "For E." Does it contain a clue to the mother who disappeared when she was born? She takes the ruby ring she finds inside while exploring the port city on her roller skates. After crashing on cobblestones, Patch meets Arturo, an Italian American boy from New York who works on the ocean liner SSGlorious. Patch shares one skate with him, and when he zooms away on it, she follows him onto the ship, accidentally becoming a stowaway when it leaves the dock. The characters, many of whom offer up confusing and befuddling lies, are rarely what they seem. Readers will encounter numerous clues that will make sense as events unfold. Mystery piles upon mystery, and surprises come at a breathtaking pace. The third-person narration reveals Patch's thoughts and follows her rash plans, which often place her in increasing danger. The story has twists and turns galore, as convoluted as the ship's corridors and back stairs, along with dastardly villains and loving relationships. The highly detailed narration conveys the syntax, language, sights, and sounds of the era. Several charming and dramatic full-page illustrations perfectly capture the events and characters. A fascinating, imaginative adventure. (ship diagram, steamship cruise advertisement)(Historical adventure. 9-13) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

One Right from the start she was known as "Crosspatch." Her real name was Esme Leonard but no one ever called her that. In the London hospital where she had been born, it was a doctor who observed she should win a medal for grumpiness. The nurses raised their eyebrows but, in all honesty, they agreed. The baby never gurgled but always frowned! And no matter how much they tickled and cooed, her cross little face remained resolutely crumpled. "Crosspatch needs her nappy changing!" they'd call to one another. "My word," they'd say, laughing as though it was the funniest thing in the whole wide world, "look at the face on that!" Over time the name was shortened and, like a label on a parcel, it had stuck. To make matters worse, it seemed like Patch was a parcel. Not a fancy one, all done up with shiny paper and ribbons; more of a plain brown one, with paper that has been used several times. The kind of parcel that no one wants to receive and everyone is always passing on. "They tell me you are impossible," Mr. Ringe would say, and her heart would give a little thud. "A ruffian." Thud. Thud. "A wild animal." Thud. Thud. Thud. Mr. Ringe was the craggy-faced, somewhat gaunt lawyer in charge of securing Patch a home. Passed from pillar to post, that was how she saw it. Her mother had run away when she was born; her father had died ages ago of something to do with weak lungs. She couldn't remember either of them. These were just the plain, hard facts. Her journey had started in her father's three-story house in Kensington, with a nursery at the top and a kitchen at the bottom. She had since been delivered to an aunt in Surrey, a grandmother in Northumberland, an uncle in Essex, and a second cousin twice removed in Islington. The aunt's house had been like a palace, with horses and stables and butlers in uniform. The grandmother had lived in less majestic circumstances, but that didn't stop her endless fussing about manners and etiquette. Then there had been the uncle, who practiced a kind of godly austerity in his rambling vicarage. And finally the second cousin twice removed, a most disgruntled individual who lived in a flat in a mansion block with only one maid and a measly allowance. It was a bit like descending a very long staircase, the advantage being that along the way Patch had acquired an array of skills: she could ride a horse; she knew exactly what cutlery to use at a six-course dinner; she could stretch a chicken to make it last for several meals (the trick was to boil it and serve it with suet pudding); and she could unravel a whole sweater and (with just one extra ball of wool) knit it back together again a size or two larger. Her downfall were the scrapes she was always getting into, not, she thought, all of her own making. The aunt's children--spoiled boys, all three of them--had insisted on calling her "No-mama," and in the end there was nothing to do but punch them. The grandmother had so many rules to remember, it made Patch's head spin, the worst by a mile being "You mustn't speak unless you are spoken to." How on earth could Patch, who always had something to say, manage that? The uncle believed that little girls should only read Bible stories. So of course Patch had been forced to creep into the library in the dead of night, frantically tear pages from the forbidden books, and devour them in secret. Unsurprisingly, Patch barely managed more than a few years in each place before being sent back to Mr. Ringe. "You have been found wanting," he would say with an air of profound weariness, "yet again." On her twelfth birthday, the second cousin twice removed declared Patch "unmanageable" because she'd shouted at her in public, comparing her to a gargoyle and calling her a child-hater. Patch was sent back to Mr. Ringe with a long note full of grievances, ending with the declaration that the second cousin twice removed never, ever wanted to see the child again. "Well," announced Mr. Ringe, pulling despondently at his right ear, which Patch couldn't help noticing was fractionally larger than his left one, "I would've preferred a bit more notice. While we await instructions, temporary arrangements will have to be made." "Instructions" were something Mr. Ringe often alluded to. Who made them, or where they came from, was a mystery that was never shared with Patch. Patch stared hard at the lawyer, and he stared back. Hard stares were one of her specialties. Mr. Ringe blinked first and awarded her one of his historically long sighs. "The thing is, young Patch, we have quite run out of relatives." It was Meg, the second cousin twice removed's maid of all work, who came to the rescue. Meg was the sort of person who left little cakes in Patch's pockets when she was sent to bed without any dinner, and, more than a few times, she'd lent Patch her comics. The comics were full of adventure and derring-do--about girls just like Patch, but with better luck, who became top-notch spies or ran away to join the circus. "A girl like that, in a home like ours?" Meg's mother had said when she had been sent for. Mrs. Jenkins didn't mean to sound rude, but she was a practical woman. Life in Lambeth was rough-and-tumble. She wasn't sure if this odd little girl would survive. "Patch will be fine," said Meg firmly. "She's as tough as old boots, aren't you, Patch?" "I am," Patch agreed, looking down at the lace-up boots peeping out from under her red dress. She clicked the heels together twice and tapped the toes. It was the sort of "theatrical gesture" that would have driven the second cousin twice removed mad. It was true that Patch did have quite fervent theatrical ambitions. "And Mum won't be out of pocket, will she, Mr. Ringe?" asked Meg. "A stipend will be paid for the girl's board and lodging," concurred the cadaverous gentleman, and Patch saw, quick as lightning, the doubt in Mrs. Jenkins's eyes disappear. And it had been fine. More than fine. Patch was adaptable. You had to be if you were a parcel, constantly being passed from pillar to post. Soon she had added to her repertoire of skills: talking pure Cockney like she had been born to it; zooming around on one roller skate, which was all the rage; and minding Mrs. Jenkins's youngest--who didn't seem to have a name; everyone just called it Baby--on one hip like the other girls in the street. At the Jenkinses' there wasn't time to be cross. Even if she had been, they probably wouldn't have noticed. Still, Patch was careful not to get too attached. She knew that once "instructions" had been received, a new summons would arrive. And it did. Mr. Ringe's brief note, delivered by the postman as Patch was gobbling down her breakfast bread and dripping, hinted that it was time for the parcel to be posted on. And when she arrived at the lawyer's office later that day, he wasted no time in delivering his news, rapping out the words in a tense staccato. "Instructions have been received. You are to go to a friend. A family friend. Teaches at a girls' school. In Liverpool. Says she'll take you in. Best you can hope for. Given the circumstances." "Who sends these instructions?" asked Patch, her face growing hot. A family friend? Who she'd never heard of? It sounded suspicious. She didn't trust the idea for one minute. "Ask me no questions and I'll tell you no lies," said Mr. Ringe at his most infuriating. It was no good arguing; Patch had tried before and always gotten nowhere. So instead she kicked the lawyer's desk leg hard and watched a pile of probably very important papers fall with a satisfying thud to the floor. They looked like they had landed in a terrible muddle. Good. She wanted to shout that she already knew this "friend" would soon get fed up and pass her on like everyone else. She wanted to tell him that it was probably best if they just let her take care of herself. But instead she put on her crossest face, a scowl of the highest order, just so Mr. Ringe didn't forget who he was dealing with. Then she nodded and squared her shoulders. She would bid farewell to the dear Jenkinses. She would go to Liverpool, to this "family friend." She would try to be a pupil at the school just as proposed. Because Patch Leonard was brave as well as cross. A survivor, just like the girls in the comics. And anyway, deep down inside her leather boots, her feet were starting to itch. A train journey. A new city. A teeny, tiny part of Patch actually quite liked being on the move. Excerpted from The Accidental Stowaway by Judith Eagle All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.