The satisfaction café A novel

Kathy Wang

Book - 2025

"An engrossing and original story about a woman who moves from Taiwan to California and builds an unexpected life there"--

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FICTION/Wang, Kathy
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1st Floor New Shelf FICTION/Wang, Kathy (NEW SHELF) Due Nov 21, 2025
1st Floor New Shelf FICTION/Wang Kathy (NEW SHELF) Due Nov 23, 2025
1st Floor New Shelf FICTION/Wang Kathy (NEW SHELF) Due Nov 21, 2025
Subjects
Genres
Domestic fiction
Psychological fiction
Novels
Published
New York : Scribner 2025.
Language
English
Main Author
Kathy Wang (author)
Edition
First Scribner hardcover edition
Physical Description
340 pages ; 24 cm
ISBN
9781668068922
9781668068939
Contents unavailable.
Review by Booklist Review

Joan Liang's life hasn't gone the way she planned. A young Taiwanese immigrant navigating 1970s California, she dreams of opportunity but finds herself cleaning houses, studying by night, and marrying a man she barely knows. After her first marriage ends disastrously, she falls into a second life, marrying an older, wealthy American, raising his children, yet still feeling restless and discontent. It's only later, when she opens the Satisfaction Café, a small place built around listening and connection, that she finally starts to find meaning. Through small acts of courage and self-discovery, she slowly builds a life defined not by others' ambitions but by her own quiet resilience. Wang's (Imposter Syndrome, 2021) writing is sharp, comical, and quietly heartbreaking. Perfect for readers who love an emotional slow burn, The Satisfaction Café is a poignant, darkly funny story about how we survive--and even sometimes thrive--after life doesn't go as planned. At its heart, it is a moving portrait of how starting over can be its own kind of victory.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The crisp and assured latest from Wang (Family Trust) follows a Taiwanese woman's life in the U.S., beginning with graduate studies at Stanford in the 1970s and extending through two marriages and the fulfillment of a long-held dream. Joan's first marriage, to a fellow student, is disastrous and blessedly brief. She then marries Bill, a wealthy man more than two decades her senior, with whom she has one child and adopts another. Along the way, she awkwardly learns to navigate Bill's rarified world while raising a family in his famous modernist house in Palo Alto. Throughout the novel, Joan fantasizes about opening a café, the mission of which would be to address the "global deficit in satisfaction" by offering patrons sweet or savory treats along with the chance to meet a willing listener. After her children are grown and Bill dies from natural causes, she opens the Satisfaction Café on the site of a shuttered Chinese video store. Independent and pragmatic, but also secretly soulful, Joan is a character capable of surprising the reader at every turn, especially as she faces the difficulties of growing old. Wang has a light touch, whether in describing events that are heavy or mundane, and avoids sentimentality. This gratifies. Agent: Michelle Brower, Trellis Literary Management. (July)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A Taiwanese immigrant abandons the story she thought she was meant to have and pursues a colorful, complicated life in the Bay Area. Joan Liang is 25 on the day in 1975 that she stabs her husband and announces she's ready for a divorce. (The stabbing is not fatal--luckily for Joan, she only had a pair of calipers on hand, and her lecherous husband mostly deserved his fate.) But this is the first time in her life Joan has stood up for herself, and Wang's novel kicks off with the reverberations of that uncharacteristically bold action. Soon, Joan meets Bill Lauder, a wealthy white man, and becomes his fourth wife, moving into his mansion, Falling House. His chaotic family--his siblings and his children from a previous marriage--bring endless complications to Joan's life, as does being an Asian woman in her largely white social circle. But throughout, Joan retains the steely, practical backbone she exhibited that day in 1975. She becomes a mother despite Bill's hesitations, giving birth to a son and adopting the daughter of Bill's wayward younger sister. Joan is also savvy in securing her financial future. When double tragedies arrive, Joan must confront what she really wants. Wang's novel leapfrogs across time to cover Joan's entire adult life and occasionally zooms out to tell the stories of the other characters in Joan's orbit--her lawyer, for example, or her troubled stepson. The effect is a story that, though warm and thoughtfully told, can feel a bit structurally slack. But then again, as Joan knows, life can be like that too: "How few truly surprising, lovely moments one receives in a lifetime," she muses. Though the story can feel aimless at times, Wang's novel gives us a main character to root for. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One CHAPTER ONE Joan Liang's life in America began in Palo Alto, where she lived in the attic of a two-story home on Azalea Street. Joan did chores for the widow who owned the house in exchange for reduced rent; she never could have afforded such a nice neighborhood otherwise. She lived in that attic until she was married, and she was married for only six weeks before she stabbed her husband. Joan was twenty-five and had lived in the United States for two years. The year was 1977. Joan had not thought she would stab her husband. It had been an accident (sort of). Afterward she was disappointed that marriage had not turned out as she'd imagined. She had thought it would be wonderful. It had been, actually. Until it wasn't. Though later, Joan would wonder why she'd ever thought marriage would be so special. As a child in Taiwan, most of the married women Joan encountered were melancholy, if not outright miserable; throughout her childhood, Joan's own mother had on occasion risen from the kitchen table without warning to cry with showy force into her hands. "You've ruined everything!" Mei would shriek if any of the children came near, and so they soon learned to keep away, which only worsened Mei's despondency. At least every other Saturday, Joan's father, Wen-Bao, spent the night across town in Shilin, where he kept a two-bedroom apartment for his mistress. Joan's mother was haunted by the two bedrooms; it drove her nuts, Mei said, to think of so much empty space. "Can you imagine," Mei would remark, legs crossed as she sat before her vanity, "how much lust a man must carry inside, to furnish such a large place for one woman? When all six of us are crowded in the same square footage? Do you understand the scope of his betrayal?" At this point Joan's brothers usually wandered off; they were bored by this conversation, which repeated itself every few months. Only Joan would remain at her mother's feet, where she watched Mei sit with perfect posture before her mirror and pluck white strands from her hairline. After moving to California, Joan established the routine of calling her parents every Sunday evening Taipei time, during which Wen-Bao, if he'd visited his mistress that weekend, would have already returned home. On these calls, Joan's parents performed the same interrogation: how her studies at Stanford were proceeding, if there was any chance to graduate early from her master's program so that she might begin to earn money. Money was key. Joan had three brothers, each of whom by various rights (older, male) should have been sent abroad before her. Two had been disqualified by their academics, whereas the top candidate, Alfred, had been surprised by "issues" (his girlfriend was pregnant), and so at the last minute Joan was sent instead. Through her father's job at the electric utility, Joan's parents had saved three thousand dollars for Alfred to begin his life in America. Out of this three thousand they spent five hundred on a plane ticket for Joan and repocketed the remainder. For this Joan was grateful, as she was a girl and thus not entitled to anything. At dinner her father took the first cut of meat; he also ate all the yellows from eggs. After her father, the meat went to Joan's brothers, and then to her mother, and then to Joan, by which time there was usually nothing. So just because Alfred was supposed to have gone to America didn't mean Joan would. Mei and Wen-Bao, however, had been nervous --having already fled the Communists once, they preferred to settle a child abroad, an international insurance policy drawing Western wages. On their calls, Joan's parents never inquired about her romantic life. If she were to, say, divulge that she'd kissed a man, or even dined alone with one, such news would have been met with recriminations followed by punishing silence. A husband, naturally, must be found at a certain point. A husband was part of the scaffolding upon which all the family's dreams--money, safety, education--would be constructed. But Joan's parents did not want to know anything of the process; the eventual union with the man you slept with each night should be accomplished without sex or romance, at least if you were a good, responsible girl. And for her entire life thus far, Joan had been a very good girl. The man Joan married was named Milton Liu. He was, of course, Chinese--aside from her landlord, Joan socialized only with Chinese people. Milton, who was studying architecture, was tall and well built, with elegant long fingers. He played piano, which Joan liked; she possessed no musical ability, but one of her first splurges in America had been a record player and a few LPs of Bach and Chopin. Milton had an easy way of speaking and excellent cheekbones and a gentle, sleepy expression, which was what had attracted Joan in the first place: besides being handsome, he also looked nice . Because her parents were mean, Joan was drawn to this sort of appearance. When she had an open afternoon between classes and her job as a hostess at Lotus Garden, Joan liked to sit and daydream on one of the benches within Stanford's campus. That such splendor was free for the general public to enjoy seemed to her a uniquely American miracle. After she met Milton, she asked him about the school's architecture. He told her the style was Mission Revival. "It's incredible that one man could create such a majestic place, all in the name of learning," Joan had remarked. It was their first real date. Their previous encounters had all been group outings: weekend hikes or evening potlucks, since no one had enough money to host a real dinner party. Milton informed Joan that Leland Stanford had used Chinese labor to build his railroad fortune, millions of which he spent constructing the school. "Many Chinese died," he added. "The men were blown up tunneling through caves." They were at Harbor Place in Chinatown, where the specialty was shrimp noodle soup. Around them sat slouched men wearing padded jackets, sipping tea, and slurping broth; outside, knots of similarly attired men were huddled on the sidewalk, smoking and arguing in Cantonese. "Did he go to jail?" Joan asked. "What? Of course not." Joan ate some more noodles as she considered this. She usually vowed not to drink the soup due to its sodium but couldn't help it--and Harbor Place had such good soup, the bits of roasted duck and chopped scallion and fried onion all melding into a layered broth. It was always served near scalding; on the off chance that a white person came upon the restaurant, the waiters would shout, "Careful! Very hot!" as they set down the bowls. She swirled the noodles into an oval on her spoon. In the middle of the spoon, she placed a shrimp dumpling, soggy enough now that its skin was beginning to disintegrate. Joan tipped the spoon into her mouth and closed her eyes. The bite went down smoothly, the heat and texture and salt playing together in pleasant symphony. Due to the expense, she didn't often eat at restaurants. Joan liked to believe she could make the same food at home for less money, but the reality was the meals she made herself, well--for some reason there wasn't any soul. She assembled another spoonful, and by the time the bowl was empty, she'd decided she wouldn't think of Leland Stanford any longer. Weren't vicious men a given in this world? Ultimately it was pointless to try to keep track of them all. Stanford may not have built his splendid university with its towering eucalyptus groves for people like Joan, but the fact was that she was indeed here, and he was long dead, and thus she needn't think of him any longer. Excerpted from The Satisfaction Café: A Novel by Kathy Wang All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.