Review by Publisher's Weekly Review
In riveting prose, Keller pens an engaging "Cinderella" variation about a girl, enslaved in Maryland, for whom layered stories offer freedom. When the cruel, pale-skinned daughters of CeeCee's enslavers begin tutoring, brown-skinned CeeCee is beaten and locked away for even staring at a book's pages. But household cook Binty encourages the girl and shares a tale of "an underground, secret savior who helped free enslaved people--a knight named Moses." The story melds in CeeCee's dreams with "Cinderella," and she awakens with a plan to head north, for which she'll need a gown, a pair of gloves, and a fitting coat, objects she painstakingly acquires. Binty, in the fairy godmother role, supplies the child with an old pocket watch: "You must get to the river by midnight. Moses will be there." And it's by the river that the youth reveals her true name--written on a slip of paper by her mother--before learning Moses's real identity and setting forward to freedom. Freeman blends soft textures and vibrant colors to render largely domestic scenes in this immersive tribute to determination, community alliance, and self-knowledge. Contextualizing notes conclude. Ages 4--8. (Aug.)
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Review by School Library Journal Review
Gr 2--5--A brave overlay of a thought-provoking retelling of the Cinderella story, this does not arrive at a conventional fairy-tale ending, but something far better: the young heroine finds a pathway to freedom. CeeCee, who is Black, only has a scrap of paper with her true name on it that her mother gave her before they were separated by the cruel conditions of slavery. CeeCee grows up in Maryland, enslaved by a white family with two girls who treat her very poorly in wicked stepsister fashion. Digital illustrations effectively capture CeeCee's stoicism, showing the warmth of the kitchen and the hardship of the attic where she is locked after she is caught trying to read. She repeatedly dreams of being rescued by a prince, but it is Binty, the cook, and her own resourcefulness that guide her to make a gown and coat suitable for her escape. When the time of CeeCee's liberation arrives, safety comes from a different version of royalty--Harriet Tubman. Educators will love this opportunity to show the ongoing merits of the old tales: as vehicles for lessons, history, and metaphors in a guide to life. Readers looking for a straightforward retelling of Cinderella will be rewarded instead with a tale rich in depth as they root for CeeCee. Visually appealing illustrations feature dark shadows and effective use of light to depict CeeCee's bravery as well as her persistent humanity in an inhumane situation. VERDICT With rich language and a complex subject matter deftly touched on throughout, this is suitable for intermediate students; it's no fairy tale, but a retelling that amplifies courage and perseverance in the face of seemingly insurmountable challenges.--John Scott
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Review by Kirkus Book Review
A familiar fairy tale is given a historical spin. An enslaved Black girl dubbed CeeCee (her real name is a "secret…kept close to her heart") toils endlessly for the Townsends, a cruel white family who own a plantation in Maryland. She's prohibited from reading, but as she overhears the stories the children are learning to read, she's inspired, and she begins to yearn for more. She faces an uphill battle; whenever Mrs. Townsend notices CeeCee so much as glancing at the pages of a book, she locks the girl in the mouse-infested attic. But her hopes are sustained by Binty, the cook, who plays the role of fairy godmother in this grounded retelling of "Cinderella." As CeeCee falls asleep one night, Binty's tales of Moses, a savior whom enslaved people follow to freedom, blend with her fantasies of Cinderella's prince (portrayed as a Black man wearing a crown and kente cloth), and she awakens determined to escape to the North. Brimming with warmth, Freeman's full-color digital illustrations depict the freckle-faced young protagonist's melancholy in heartbreaking detail, while her vivid use of pattern and textures gives the visuals an almost three-dimensional, utterly immersive feel. Layering together references to the beloved fairy tale, Christian theology, and history, Keller celebrates the power of stories while paying tribute to the courage of all those who endured chattel enslavement. Rewarding, potent, and wholly original. (source note; information on Harriet Tubman, names during slavery, and fairy tales)(Picture book. 5--8) Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
