Black Cherokee A novel

Antonio Michael Downing, 1975-

Book - 2025

"Ophelia Blue Rivers is a descendent of Cherokee Freedmen: Blacks formerly enslaved by rich southern Cherokee. She is "Black" but doesn't understand why that makes her different. She is "Cherokee" but struggles to know what that means. Their town of Etsi--once a reservation--still lives with the wounds of its disbanding. When the town, and the river that sustains it, are put in mortal danger personal rivalries threaten their very survival. Against this backdrop Ophelia begins her spirited, at times harrowing, search for place and family. She must discover: what does it mean to belong when belonging comes at such a high price? " --Provided by Publisher.

Saved in:
1 being processed

1st Floor New Shelf Show me where

FICTION/Downing Antonio
1 / 1 copies available
Location Call Number   Status
1st Floor New Shelf FICTION/Downing Antonio (NEW SHELF) Checked In
Subjects
Genres
Bildungsromans
Psychological fiction
Historical fiction
Published
New York : Simon & Schuster 2025.
Language
English
Main Author
Antonio Michael Downing, 1975- (author)
Edition
First Simon & Schuster hardcover edition
Physical Description
260 pages ; 24 cm
ISBN
9781668066102
Contents unavailable.
Review by Publisher's Weekly Review

In this earnest if underdeveloped first novel from Downing (Saga Boy, a memoir), a girl struggles with her mixed heritage. It's 1993 in the South Carolina settlement of Etsi, where seven-year-old Ophelia lives with her grandmother on land that was once part of a Cherokee reservation. Due to her mix of Black and Cherokee ancestry, Ophelia is mistreated by her full-blooded Cherokee neighbors. After a nearby cattle ranch pollutes the local river, Ophelia moves in with her aunt Aiyanna, who identifies as Black, in the city of Stone River. As the years pass, Ophelia is no more accepted, and Tejah, a beautiful and popular classmate at her predominantly Black high school, bullies her for her dual identity and for hanging out with fellow "nerd" Durell. She's delighted when Lucy, a family friend close to her age, invites her to a Baptist church, but she grows disenchanted when Lucy sours on her out of jealousy over the attention she receives from the youth pastor, who celebrates her salvation in front of the whole congregation. Episodes like these are poignant, but secondary characters such as Durell, Lucy, and Tejah are frustratingly flat. Still, Downing satisfies with his portrayal of the complex Ophelia and her attempt to find herself. It's an affecting if uneven coming-of-age tale. Agent: Chris Casuccio and John Pearce, Westwood Creative Artists. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A mixed-race girl comes of age in South Carolina communities leery of accepting her. "You're half-Black, half-Cherokee, and all mixed up," says Blue, the grandmother of Ophelia, the protagonist of Downing's debut novel. Opening in 1993, when Ophelia is 7, and following her to 2005 and her early adulthood, the novel tracks her in three milieus. The first is Etsi, a town where Blue teaches Ophelia Cherokee lore on what was a former reservation. Later, she moves in with her aunt in Stone River, a predominantly Black community, where she's treated by her Black cousins and classmates as a misfit--bookish, quiet, and overly proud of her suspect Native heritage. An escape hatch seems to appear in the form of La Belle École, a school designed for gifted Black children, but that puts Ophelia into the orbit of a predominantly white high-school culture that largely shuns her as well. More precisely, it introduces her to the Beauregard clan, a white farming family that's ruled much of the region's economy--and poisoned the river in Etsi. As studies of racial divisions, Downing's conflicts can feel tidily straightforward at times, which makes Ophelia's sense of being out of place feel repetitive; the final conflict involves a familiar trope, and a magical-realist gesture isn't persuasive. But if Ophelia's path is bluntly allegorical, the novel is enlivened by its secondary characters, particularly Blue and Belle, the founder of La Belle École, both hard-charging and no-nonsense types. Downing's story opens up questions about how much separate racial communities can intermingle while still preserving their identities, and shows how those overlaps can prompt power struggles, sometimes vicious ones. But it lacks a strong, surprising character at its center. An earnest if not entirely successful tale of generations-old social and racial divisions. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.