The woman dies

Aoko Matsuda, 1979-

Book - 2025

"In The Woman Dies, renowned author Aoko Matsuda approaches often-thorny subjects such as sexism, prejudice, the normalizing effect of violence against women on screen, or the aesthetics associated with technology, with an inventiveness and quirky humor that keep these stories on the thrilling cusp between seriousness and levity. Wordplay evolves into something much more complex, inanimate objects are endowed with their own point of view, and hard-hitting feminist stances are conveyed with a dry, detached humor that makes them even more undeniable. Not so much a rollercoaster ride, rather an entire theme park, The Woman Dies is an out-of-the ordinary space readers will step into with feelings of wonder and discombobulation in equal par...ts."--

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FICTION/Matsuda Aoko
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Location Call Number   Status
1st Floor New Shelf FICTION/Matsuda Aoko (NEW SHELF) Due Oct 27, 2025
Subjects
Genres
short stories
Short stories
Translations
Nouvelles
Published
London : Europa Editions 2025.
Language
English
Japanese
Main Author
Aoko Matsuda, 1979- (author)
Other Authors
Polly (Translator) Barton (translator)
Item Description
Translated from the Japanese.
Physical Description
173 pages ; 21 cm
ISBN
9781787705876
9798889661337
  • The android whose name was boy
  • Bond
  • Starry night
  • English composition no. 1
  • I hate the girls that you like
  • Money
  • You are not what you eat
  • My secret thrill
  • God must be stupid
  • Thoughts on Balthus's The street
  • The national anthem gets it bad
  • The sky blue hand
  • The precious opportunity
  • The woman dies
  • How to transform from a punk into a girl-next-door
  • How to transform from a girl-next-door into a bad girl
  • Victoria's secret
  • The year of no wild flowers
  • Murder in the cat cafe
  • We can't do it!
  • Toshiba Mellow #20 18-watt
  • Hawai'i
  • The purest woman in the kingdom
  • English composition no. 2
  • Dear Doctor Spencer Reid
  • Life is like a box of chocolates
  • Braids
  • Messing up the national anthem
  • Disecting misogyny
  • Cage in a cage
  • English composition no. 3
  • The masculine touch
  • Gaban I
  • Gaban II
  • To you, sleeping in an armory
  • CV
  • Baseball player soup
  • Curtain of celebration
  • Remembering technology
  • Bird strike!
  • The national anthem goes to New York
  • Flora
  • Twenty-first century Tinkerbell
  • The start of the weekend
  • Reflection
  • When the girl broke up with her boyfriend
  • A father and his back
  • Youth and sadness
  • Bette Davis
  • The lip balm lake
  • The death of context
  • A magic spell
  • Aoko Matsuda's one-line commentaries.
Review by Publisher's Weekly Review

Matsuda's piercing and sometimes surreal collection (after Where the Wild Ladies Are) offers a feminist critique of women's experiences in Japanese society. In "You Are Not What You Eat," the narrator becomes sick early in the morning, vomiting up the previous night's dinner and then foods she doesn't remember eating, causing her to be "engulfed with nostalgia" for a life she didn't live. Some of Matsuda's stories are light-hearted, like "Bette Davis," which follows a group of strangers who bond over the late actress and organize a seance to speak to her. During the ritual, they ask her to perform a line from Akira, which they believe she would have been perfectly suited for. The movies also come into play in the title entry, a scorching screed about the ways women are used for plot devices ("The woman dies. She dies for the sake of a good story. The woman is raped. She is raped for the sake of a good story. We grow up watching it happen"). Not all the entries deliver the same punch, but for the most part Matsuda shines with her distinctive imagery and focused commentary. Readers will find plenty to enjoy. (Sept.)

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