The shortest history of music From bone flutes to synthesizers, Hildegard of Bingen to Beyoncé - 5,000 years of instrument and song

Andrew Ford, 1957-

Book - 2025

"No other art is as popular--or pervasive--as music. With just a few clicks, anyone can cue up (and critique) Chopin or Cher, The Bangles or The Beatles--even the brand-new Beyoncé. But things weren't always this way. In this brisk, breakneck history under 300 pages, award-winning composer, author, and broadcaster Andrew Ford replays the dramatic evolution of music, from early oral songs to the first orchestras (and their wealthy patrons) and from the emergence of recording technology to the multibillion-dollar industry we know today. The Shortest History of Music explores the immense influence of religion, politics, and the economy on world music, what led humans to make music in the first place, and why--in every era--we are ir...resistibly drawn to listen to it." --

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1 copy ordered
Subjects
Published
New York : The Experiment 2025.
Language
English
Main Author
Andrew Ford, 1957- (author)
Item Description
"Originally published in Australia by Black, Inc. in 2024. First published in North America in revised form by The Experiment, LLC, in 2025."--Title page verso.
Physical Description
241 pages : illustrations ; 20 cm
Bibliography
Includes bibliographical references and index.
ISBN
9798893030525
  • Introduction
  • 1. The Tradition of Music: from Prehistory to the Present
  • 2. Music and Notation: Blueprints for Building in Sound from 1400 BCE to the Present
  • 3. Music for Sale: Paying the Piper from 1000 BCE to the Present
  • 4. Music and Modernism: Reinventing the Art from 1150 to the Present
  • 5. Recording Music: From 1900 to the Present
  • Epilogue: What Is Music?
  • Further Reading
  • Acknowledgments
  • Image Credits
  • Index
  • About the Author
Review by Booklist Review

In this entertaining contribution to the Shortest History series, Australian composer and radio announcer Ford eschews a chronological organization in favor of a thematic one, exploring the categories of musical tradition, notation, monetization, experimentation, and recording. Ford's voice is erudite and engaging as he sweeps through the centuries, covering Rumi, William Blake, and the Sugarhill Gang's "Rappers Delight," for example, in his discussion of the ways in which poetry has informed music. Periodic detours into music theory are technical but approachable and always germane to the topic at hand. Supporting the history and theory is a compelling ethos, at odds with cognitive psychologist Steven Pinker's suggestion that music, because it isn't a language, is inessential, an "exquisite confection." Hardly, argues Ford. "From ancient times," he writes, "music was part of life at every level." With evidence from the Bronze Age drums of southern China, the calypso of Trinidad, and the transformative sound of Billie Holiday's voice, Ford makes a compelling and informative case for the power and necessity of music.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by School Library Journal Review

Gr 9 Up--The promise of this series is to condense the growth of France from Roman Gaul to the current day, the history of migration from the movements of prehistoric peoples to modern migrants, or the development of music from early bone flutes to synthesizers into books that could be read in a day. This is dense material due to its subject matter and the way it has been distilled. The migration and France titles both have time lines and all the books have images (diagrams, maps, artwork, photos) to support the text. That text is written by content specialists who draw parallels with current events as well as explaining what has gone before. In Migration, a preface from the author explains his personal connection to the topic. VERDICT A useful reference set, or a possible classroom purchase for Honors courses.

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