Night watch Poems

Kevin Young, 1970-

Book - 2025

"Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, "The Two-Headed Nightngale," is spoken by Millie-Christine McCoy, the famous conjoined African American "Carolina Twins." Born into slavery and ill treatment as a "freak" sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: "As one we sang, /we spake- / She was the body / I the soul / Without one / Perishes the whole." In "Darkling," a cycle of poems written in reaction to Robert Rauschenberg's paintings made while ...listening to Dante's Inferno canto by canto, Young expands and embroiders the circles of Hell, incorporating his own experiences, drawing a cosmology of both loneliness and accompaniment, making space for the communal and singular voicing of both sorrow and hope, spiced with rueful notes on the failures of American culture. When he goes, he warns, don't sing "Amazing Grace"-not that "National / Anthem of Suffering." No, he suggests, "When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down.""--

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Subjects
Genres
Poetry
Published
New York : Alfred A. Knopf 2025.
Language
English
Main Author
Kevin Young, 1970- (author)
Edition
First edition. First hardcover edition
Item Description
"This is a Borzoi book"--Title page verso.
Physical Description
152 pages ; 24 cm
ISBN
9780593319628
9781524711979
Contents unavailable.
Review by Publisher's Weekly Review

National Book Award finalist Young (Stones) offers an impressionistic and potent collection of sequence poems written over 16 years. Rich with epigrammatic flare ("It's like a language,/ loss--/ can be// learnt only/ by living--there--"), Young's work sensitively examines inheritance in poems detailing his family history in Louisiana; a sequence spoken by Millie and Christine McCoy, the conjoined African American "Carolina Twins" displayed in P.T. Barnum's circus; and a cycle inspired by Dante's Divine Comedy. Throughout, Young's language sings: "A wolf in silhouette--/ that whistle. The coyote/ in the quiet.// The hour of our hunger/ is his, only longer." Highlights include his Dante cycle, which features unforgettable moments of existential insight: "We are born/ with all our grief/ already in us, like teeth,// & time works it out/ of us--our mouths--pain/ for a spell & then there// grief sits, a lifetime, shiny/ lucky" ("VI. Underworld (Circle Three)"). Young's poems candidly and vividly trace the woven threads of loss and admiration, death and reemergence: "away from gravity/ & the cherry trees/ blooming early// before I was even ready / to believe again/ in beauty." This elegant volume deepens the body of work by a significant American poet. (Sept.)

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