Reading the thread Cloth and communication

Book - 2024

"Reading the Thread brings together artists, theorists and designers to explore the nature and use of cloth as a means of record and communication. Cloth is constructed from threads and, in acknowledging its qualities of recording or communicating a story, we are reading the threads - the read thread. There is also, however, an East Asian myth that when you are born you are linked by an invisible red thread to your soul mate; no matter what you do, this red thread connects you to your fate and, although the thread may become tangled or infinitely long, it will never break. Exploring histories of making and cultural practices, a multidisciplinary team of international scholars use the metaphorical thread to link the experiences of cloth... production, lineage practices, contemporary challenges and sustainable futures, and to explore, through imagery and ideas, the agency of cloth to shape and communicate the sensations and emotions connected with human experience. Divided into four sections on reading cloth, challenging the stories it tells, following the thread of its narrative and finally anticipating its future, The Read Thread allows a variety of viewpoints and a diversity of voices, without favouring theory or specific cultural approaches, to interrogate cloth as a record of experience within its social, historical, psychological and cultural context; the authors explore our encounters with cloth and its role in the exploration of identity and biography, representative of passage, exchange, life and death. Provocative and timely, and beautifully illustrated with over 50 color images, it is vital reading for students and scholars of textiles, fashion, material culture, art and anthropology."

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Subjects
Genres
History
Published
London : Bloomsbury Visual Arts 2024.
Language
English
Other Authors
Lesley Millar (editor), Alice Kettle, 1961- (interviewee), Maria Nepomuceno, 1976-, Celia Pym
Physical Description
xiii, 225 pages : illustrations ; 28 cm
Bibliography
Includes bibliographical references and index.
ISBN
9781350320482
9781350320499
  • Introduction / Lesley Millar and Alice Kettle
  • Part One. Reading the record. 1. Tenapi: markers of clan identity of the Alurung, East Indonesia / Linda S. McIntosh ; 2. The Powerful Whispers project: a reimagined story of mills, menders and archived family memories / Robert Burton ; 3. Drapery and napery: lace war memorials / Carol Quarini ; 4. Cloth, nationalism and cultural identity: the symbolism of traditional attire in defining Nigeria's diverse ethnic indigenism / Clement Emeka Akpang ; Artist Maria Nepomuceno in conversation with Alice Kettle, Part 1
  • Part Two. Following the thread. 5. Robe à la grand'mère: the reuse of eighteenth-century silks in Romantic-era fashion / Ruby Hodgson ; 6. Layers of comfort: Shetland taatit rugs / Carol Christiansen ; 7. Making of kediyun: a conscious approach to cloth / Lokesh Ghai ; 8. Transformations in the making and meaning of bark cloth in Uganda / Venny Mary Nakazibwe ; Artist Maria Nepomuceno in conversation with Alice Kettle, Part 2
  • Part Three. Challenging the reading. 9. Small acts of refusal: suffragette-embroidered cloths worked in Holloway Prison / Denise Jones ; 10. Stitching justice: textiles as a means for contemporary social justice / Alicia Decker and Susan T. Avila ; 11. Film as fabric: textile practice as feminist critique in expanded cinema / Mary Stark ; 12. Cuttings 1820-2020 / Pippa Hetherington ; Artist Celia Pym in conversation with Lesley Millar, Part 1
  • Part Four. Drafting the future. 13. Portraying a practice: communication e-textiles / Hannah Perner-Wilson, Becca Rose, Irene Posch, Laura Devendorf ; 14. Cloth, techné, and traces in digital fashion / Katharina Sand ; 15. The coded lab / Sonja Andrew ; 16. Piñatex®, a new material for a new world / Carmen Hijosa ; Artist Celia Pym in conversation with Lesley Millar, Part 2.
Review by Choice Review

Through 16 essays and two artist interviews, Reading the Thread asks, What can cloth, which is at the center of human experience, reveal about history and predict about the future? Applying current scholarship and theory to social, historical, psychological, and cultural contexts, the authors explore how cloth acts as a witness to our lives and how it records, projects, and protects human interactions. The making and sharing of cloth, using the material object as a record, is where our lived experiences express both cultural narrative and personal story. While the essays start from the point of cloth as a shared language, the expanse of the book represents varying viewpoints and global voices. Cloth is shown as a safe space to express what has taken place, to act as the physical site for representing multiple testimonies, and to commemorate. The essays are consistently excellent, engaging, and approachable, making this book essential for applying textile theory to a global discourse on the meanings of textile objects and making. Excellent for programs in textile art and design, including fashion, art history, and museum studies, and as case studies in anthropology and materials studies. Summing Up: Highly recommended. Advanced undergraduates through faculty; professionals. --Lisa L. Kriner, Berea College

Copyright American Library Association, used with permission.