Rumpelstiltskin

Following his reimagining of "The Three Billy Goats Gruff," Barnett retells "Rumpelstiltskin," his wisecracking lines (the miller is "a nice enough guy, but he had a big mouth") joined by the medieval elegance of gouache spreads by Caldecott Honoree Ellis. After the miller jests to the visiting king about his own daughter's ability to spin gold from straw, the daughter is shown hunched in despair within a royal room. The small, cunning man who appears out of nowhere will spin the king's ever-larger piles of straw into gold, but he demands rewards in return--she offers first her jewelry, then her firstborn. After she weds the king and bears a child, the little man promises mercy if she can guess his name. A list is made and read aloud, and hilarity bubbles to the surface ("Jay? Shawn?" "No! No!" "Danladi? Octavius? Cuthbert?" "No! No! No!") as the scroll of names is shown drifting and looping around the page. Short, punchy text juices the tale's momentum ("Deal," the girl replies to the wily man's offers), while portraits trace the miller's daughter's journey from frog-catching child to regal royal and back again in this haunting tale about the power of knowing someone's name. Most characters are portrayed with pale skin. Ages 4--8. (Feb.)

Two acclaimed creators retell a fairy-tale classic. Employing a conversational style, Barnett offers a fresh and immensely entertaining take on an old story, much as he did withThe Three Billy Goats Gruff, illustrated by Jon Klassen (2022). A miller ("a nice enough guy, but he had a big mouth") encounters the king and, seeking to impress him, falsely claims that his daughter can spin straw into gold. What follows is the classic story, replete with spinning wheels and small men who make clandestine deals with the desperate for their offspring. While never diverging from the original, Barnett nevertheless allows his miller's daughter, if not a name (on purpose, it turns out), then hobbies like "whittling sticks and catching tadpoles with her bare hands." This miller's daughter is still caught in the machinations of the men around her, but Barnett demonstrates that her love of the woods is key to her defeating Rumpelstiltskin. His sly retelling is perfectly complemented by art that at times resembles classical portraiture. Ellis also harkens back to fairy-tale images of yore with both lushly illustrated gouache pictures and small interstitial black-and-white spot art. Characters present white. Deeply familiar but infused with 21st-century smarts; expect cries for repeated reads.(Picture book. 4-7) Copyright (c) Kirkus Reviews, used with permission.