The blue house I loved

Kao Kalia Yang, 1980-

Book - 2025

"The Blue House I Loved centers on a family of newly arrived Hmong refugees who move into the lower level of a duplex in St. Paul, Minnesota. The narrator loves her aunt and uncle's home with its mismatched furniture, but it is too small for the large family. The boy cousins sleep in the three-season porch, where their wet hair freezes in wintertime, and the rest of the family crowds into two bedrooms. Yet this is the cherished home where they live and love, their own small corner of a very large and unfamiliar place, and in this blue house a young girl learns about her new country. Eventually, the family moves in search of more space, and years later the house is torn down. Where it was, green grass now grows. But for this girl a...nd her family, the ghost of the house remains, its memories a strong thread that holds time at bay and hearts close together. Combining Kao Kalia Yang's lyrical prose with ethereal illustrations by artist and architect Jen Shin, The Blue House I Loved speaks to the multitude of refugee experiences around the world, honoring the challenges they face and the homes they create together." -- Publisher marketing

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Review by Kirkus Book Review

Room by room, a young narrator nostalgically recalls Aunt and Uncle's long-ago home, cramped, chaotic, yet so filled with love. The address remains exact--"off Maryland Avenue, behind a bar on Payne Avenue, on the east side of St. Paul"--even if the titular blue house is long gone. Once upon a time, it was a duplex, "its first floor rented to Hmong refugees." Sometimes the upstairs neighbors had to "thump, thump, thump" when "we children downstairs played too loudly, laughed too hard, or jumped too high." The porch was the two boy cousins' room, where their hair would freeze overnight during winter. All the kids ate on the mismatched sofas in the dark living room. The three older girl cousins danced to cassette tapes in their room. The favorite back porch was where Uncle was welcomed home after surgery. Although it was Aunt and Uncle's home for just two years, "my memory of that house kept them close to me long after our lives in America had spread us far from each other." Artist Shin's architectural prowess enables spectacularly meticulous illustrations from multiple viewpoints that undeniably elevate Hmong American Yang's poignant, longing prose. Intricate full-color details--hanging flyswatter, scattered sneakers, fading hopscotch grid, a child too small to reach the faucet--add resonating depth, underscoring a loving family in constant motion. Cherished memories transform a sagging house into a vibrant home, long after the family's move.(Picture book. 5-10) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.