The wall dancers Searching for freedom and connection on the Chinese internet

Yi-Ling Liu

Book - 2026

"An indelible, deeply reported human narrative of contemporary China in which the country's carefully controlled internet offers a lens into the broader national tension between freedom and control. In the late 1990s, as the world was waking up to the power of the internet as a space of unprecedented connection and opportunity, Chinese authorities began constructing a system of online surveillance and censorship that became known as the Great Firewall. The online world that sprouted up behind the firewall was no less vibrant for being controlled, and in the years that followed China incubated a booming tech culture and a digital public square. But today, as the country's leadership has tightened the reins on public discourse ...and western headlines reduce the Chinese populace to a faceless monolith, journalist Yi-Ling Liu argues, China's singular online ecosystem may well be the most direct lens we have into the on-the-ground reality of life there. In tracing the evolution of the Chinese internet-from its lexicon to its memes to the precise nature of its censorship-Liu equips readers with a critical tool to assess the past, present, and future of a global power. Ingeniously conceived and meticulously reported, Dancing in Shackles spans the last three decades in China, a period that encapsulates the country's transformation into both the world's largest online userbase and one of its most dominant authoritarian states-from 1995, when ordinary Chinese people first logged onto the internet, swept up by its emancipatory promise, to the present day, as China polices its physical and virtual borders with unprecedented intensity. Drawing on years of intimate reporting, Liu weaves together the stories of individual citizens striving for freedom and community within state boundaries. A journalist-turned-activist taps into a nationwide feminist awakening, stoking a grassroots revolution on social media before being forced underground. The CEO of a gay dating app steers the company to a successful IPO despite laws prohibiting same-sex marriage. A disillusioned tech worker turns to writing science fiction to construct alternative visions of China's future. As Liu's subjects experience firsthand the internet's power as a tool of both state control and individual liberation, they grapple with universal questions of success and authenticity, love and solidarity, faith and survival. Dancing in Shackles is at once an unforgettable work of human storytelling and a vital window into a global power that we simplify and misunderstand at our peril"-- Provided by publisher.

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Review by Publisher's Weekly Review

This incisive, empathetic debut study from journalist Liu examines three decades of the internet's evolution in China, from the mid-1990s explosion of microblogs and message boards that corresponded with the country's increasing liberalization, to the mid-aughts raising of the Great Firewall. Liu contextualizes these events, linking them to China's larger historical cycles of "opening and tightening," but her account focuses on the up-close perspectives of five Chinese "netizens" impacted by the rise and fall of the open internet. They include Ma Baoli, a formerly closeted police officer who started a website as a "sanctuary for gay men" that evolved into a popular gay hookup app, and Lü Pin, founder of "the nation's most influential feminist publication." Liu conveys how these individuals' emotional and interior lives were shaped by events in the digital world, from their excitement at discovering a community online to the pain and isolation caused by growing restrictions and even the outright deletion of their platforms (Lü describes the latter as "like having a part of myself die before my eyes"). Through other interviews, including with a Weibo editor pressured to silence posts about a high-speed train crash, the author spotlights the state's chillingly singular promotion of content with "positive energy," as well as netizens' coy means of evading censorship, such as #MeToo activists' usage of the phrase rice bunny, pronounced "mi tu." It amounts to a vital and subversive window into a cloistered but sprawling online world. (Feb.)

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Review by Kirkus Book Review

An investigation of the Chinese internet and its place in Chinese society, reported from geographical and generational front lines and their margins. In her full-length debut, journalist Liu dissects and dismantles monoliths, highlighting and explaining the seeming contradictions and fatalistic predictions that fuel most conversations about China's adoption, creation, use, and control of technology. Born and raised in Hong Kong--with its privileged relationship to mainland China--educated in the United States, and having built her journalism career in Beijing, she brings broad perspective and nuance to an issue that, despite its extensive global impact, is often discussed only in terms of its extremes. Into a milieu of weaponized tariffs and proprietary technology, the author injects essential context for China's famed "Great Firewall" and profiles five individuals who have lived beyond its constraints: Ma Baoli, founder of China's most successful gay mobile app; Lü Pin, a leader in the country's underground feminist movement; Chen Qiufan (aka Stanley Chan), a science-fiction writer; Kafe Hu, a pioneer of China's hip-hop and rap scene; and Eric Liu, a former tech content censor. These protagonists navigate double lives, self-censorship, collaborations with the Chinese diaspora, and the exacting crackdowns of their country's authoritarian government, as their fellow "netizens" deploy a blend of irony, humor, and wordplay to elude its control. If Liu's text is in part revelatory of the particular ambitions, risks, and pitfalls humming beneath China's internet domination, it is also a global cautionary tale. China's push and pull between rigid control and loosened restrictions to serve economic growth is not an isolated story, but an example of how the entire World Wide Web has defaulted on its past promise to become a space for "the amplification of illiberal voices, the contraction of the public sphere, the erosion of common sense." A timely and sophisticated study that is eye-opening, and a touch eerie. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.